Mozart: Mitridate, rè di Ponto, K87

Dacapo: 6220580-82

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Mozart: Mitridate, rè di Ponto, K87

Awards:

Gramophone Magazine

Disc of the Month - June 2010

Label:

Dacapo

Catalogue No:

6220580-82

Discs:

3

Release date:

1st Feb 2010

Barcode:

0747313158065

Length:

2 hours 47 minutes

Medium:

SACD (download also available)

Format:

Hybrid Multi-channel
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Mozart: Mitridate, rè di Ponto, K87


Mathias Zachariassen (Mitridate), Henriette Bonde-Hansen (Aspasia), Maria Fontosh (Sifare), Kristina Hammarström (Farnace), Lisa Larsson (Ismene), Anders J. Dahlin (Marzio) & Richard Lewis (harpsichord)

Vocal Group Ars Nova & Danish Radio Sinfonietta, Adam Fischer

SACD - 3 discs

$35.25

(also available to download from $25.50)

In stock - usually despatched within 1 working day.

Mitridate, re di Ponto (Mithridates, King of Pontus), K. 87 (74a), is an early opera seria in three acts by Wolfgang Amadeus Mozart. The libretto is by Vittorio Amadeo Cigna-Santi after Giuseppe Parini's Italian translation of Jean Racine.

Mozart wrote Mitridate while touring Italy in 1770. It was first performed at the Regio Ducal Teatro, Milan, on the 26th of December 1770 (at the Milan Carnival). The opera was a success, having been performed twenty-one times despite doubts because of Mozart’s extreme youth - he was 14 at the time.

No revival took place until the 20th century. This opera features splendid virtuoso arias for the principal roles.

Mozart’s Mitridate is what literary scholars call a heroic historical drama, and the genre was considered the most prestigious theatrical form in the second half of the eighteenth century.

Wolfgang Amadeus Mozart: Mitridate, re di Ponto, K. 87

playOverture

playAct I: Recitativo: Vieni, Signor (Arbate, Sifare)

playAct I: Recitativo: Se a me s'unisce Arbate (Sifare, Aspasia)

playAct I: Aria: Al destin che la minaccia (Aspasia)

playAct I: Recitativo accompagnato: Qual tumulto nell'alma (Sifare)

playAct I: Aria: Soffre il mio cor con pace (Sifare)

playAct I: Aria: Sin a quando, oh Regina (Farnace, Aspasia, Sifare)

playAct I: Recitativo: All'ire freno (Arbate, Sifare, Farnace)

playAct I: Aria: L'odio nel cor frenate (Arbate)

playAct I: Recitativo: Principe, che facemmo! (Farnace, Sifare)

playAct I: Recitativo: Oh ritorno fatal - Aria: Nel sen mi palpita (Aspasia)

playAct I: Recitativo: Ritorna il padre (Farnace, Sifare)

playAct I: Aria: Nel gran cimento (Sifare)

playAct I: Recitativo: Eccovi in un momento sconvolti (Farnace, Marzio)

playAct I: Aria: Venga pur, Minacci e frema (Farnace)

playAct I: Marcia

playAct I: Cavata: Se di lauri il crine adorno (Mitridate)

playAct I: Recitativo: Su la temuta destra (Sifare, Mitridate, Farnace, Ismene)

playAct I: Aria: In faccia all'oggetto (Ismene)

playAct I: Recitativo: Teme Ismene a ragion (Mitridate, Arbate)

playAct I: Recitativo accompagnato: Respira alfin, respira (Mitridate)

playAct I: Aria: Quel ribelle e quell'ingrato (Mitridate)

playAct II: Recitativo: Questo e l'amor, Farnace (Ismene, Farnace)

playAct II: Aria: Va, va l'error mio palesa (Farnace)

playAct II: Recitativo: Perfido, ascolta (Ismene, Mitridate)

playAct II: Recitativo: Eccomi a' cenni tuoi (Aspasia, Mitridate, Sifare)

playAct II: Aria: Tu, che fedel mi sei (Mitridate)

playAct II: Recitativo: Che diro? Che ascoltai? (Sifare, Aspasia, Arbate)

playAct II: Recitativo: Oh giorno di dolore (Aspasia, Sifare)

playAct II: Recitativo accompagnato: Non piu, Regina, oh Dio! (Sifare, Aspasia)

playAct II: Aria: Lungi da te mio bene (Sifare)

playAct II: Recitativo accompagnato: Grazie ai numi parti (Aspasia)

playAct II: Aria: Nel grave tormento (Aspasia)

playAct II: Recitativo: Qui, dove la vendetta (Mitridate, Ismene, Arbate)

playAct II: Recitativo: Sedete, oh Prenci (Mitridate, Sifare, Farnace)

playAct II: Recitativo: Signor, son io (Marzio, Mitridate, Sifare)

playAct II: Recitativo: Inclita Ismene (Mitridate, Ismene)

playAct II: Aria: So quanto a te dispiace (Ismene)

playAct II: Recitativo: Oh padre, sappi (Farnace)

playAct II: Aria: Son reo; l'error confesso (Farnace)

playAct II: Recitativo: E crederai, Signor (Sifare, Mitridate, Aspasia)

playAct II: Aria: Gia di pieta mi spoglio (Mitridate)

playAct II: Recitativo: Sifare, per pieta stingi l'acciaro (Aspasia, Sifare)

playAct II: Recitativo accompagnato: Io sposa di quel mostro (Aspasia, Sifare)

playAct II: Duetto: Se viver non degg'io (Sifare, Aspasia)

playAct III: Recitativo: A terra (Aspasia, Mitridate, Ismene)

playAct III: Aria: Tu sai per chi m'accese (Ismene)

playAct III: Recitativo: Re crudel (Aspasia, Mitridate, Arbate)

playAct III: Aria: Vado incontro al fato estremo (Mitridate)

playAct III: Recitativo: Con piu coraggio (Aspasia)

playAct III: Recitativo accompagnato: Ah ben ne fui presaga! - Pallid'ombre (Aspasia)

playAct III: Recitativo: Che fai, Regina? (Sifare, Aspasia)

playAct III: Recitativo: Che mi val questa vita (Sifare)

playAct III: Aria: Se il rigor d'ingrata sorte (Sifare)

playAct III: Recitativo: Sorte crudel, stelle inimiche (Farnace, Marzio)

playAct III: Aria: Se di regnar sei vago (Marzio)

playAct III: Recitative and Aria: Vadasi gia dagli occhi il velo e tolto (Farnace)

playAct III: Aria: Gia dagli occhi il velo e tolto (Farnace)

playAct III: Recitativo: Figlio, amico, non piu (Mitridate, Sifare, Aspasia)

playAct III: Non si ceda al Campidoglio (Chorus)

BBC Music Magazine

May 2010

***

“The new set possesses notable features...excellent modern-instrument orchestra, the graceful, versatile and touching Henrietta Bonde-Hansen as prima donna, and - greatest strength of all - the conductor Adam Fischer...here a Mozartian of rhythmic incisiveness, lyrical warmth and a powerful sense of formal shape and balance.”

Gramophone Magazine

June 2010

“Fischer conducts with a sure sense of pacing; dramatic details in the orchestral ritornellos of each aria are astutely brought out... Most impressively, this performance captures the full theatrical potency of the unfurling plot...I shall be surprised to hear a more satisfying Mozart opera recording any time soon.”

The Telegraph

24th March 2010

***

“This Danish recording is crisply conducted by Adam Fischer and has outstanding singing from soprano Henriette Bonde-Hansen (Aspasia) and mezzo-soprano Kristina Hammarström (Farnace).”

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