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Dieterich Buxtehude: Praeludium in C major, BuxWV 138
Prelude in C major, BuxWV 138
Dieterich Buxtehude: Ein feste Burg ist unser Gott, BuxWV 184
Ein feste Burg ist unser Gott, BuxWV 184
Dieterich Buxtehude: Es spricht der Unweisen Mund wohl, BuxWV 187
Es spricht der Unweisen Mund wohl, BuxWV 187
Dieterich Buxtehude: Es ist das Heil uns kommen her, BuxWV 186
Erhalt uns, Herr, bei deinem Wort, BuxWV 185
Dieterich Buxtehude: Praeludium in G minor, BuxWV 163
Prelude in G minor, BuxWV 163
Dieterich Buxtehude: Toccata in G major, BuxWV 164
Toccata in G major, BuxWV 164
Dieterich Buxtehude: Praeambulum in A minor, BuxWV 158
Prelude in A minor, BuxWV 158
Dieterich Buxtehude: Durch Adams Fall ist ganz verderbt, BuxWV 183
Durch Adams Fall ist ganz verderbt, BuxWV 183
Dieterich Buxtehude: Herr Christ, der einig Gottes Sohn, BuxWV 191
Herr Christ, der einig Gottes Sohn, BuxWV 191
Dieterich Buxtehude: Herr Christ, der einig Gottes Sohn, BuxWV 192
Herr Christ, der einig Gottes Sohn, BuxWV 192
Es ist das Heil uns kommen her, BuxWV 186
Es ist das Heil uns kommen her, BuxWV 186
Dieterich Buxtehude: Canzonetta in G major, BuxWV 172
Canzonetta in G major, BuxWV 172
Dieterich Buxtehude: Canzonetta in A minor, BuxWV 225
Canzonetta in A minor, BuxWV 225
Dieterich Buxtehude: Canzona in G minor, BuxWV 173
Canzona in G minor, BuxWV 173
Dieterich Buxtehude: Prelude and Fugue in G minor, BuxWV 150
Prelude in G minor, BuxWV 150
Dieterich Buxtehude: Kommt her zu mir, spricht Gottes Sohn, BuxWV 201
Kommt her zu mir, spricht Gottes Sohn, BuxWV 201
Dieterich Buxtehude: Herr Jesu Christ, ich weiss gar wohl, BuxWV 193
Herr Jesu Christ, ich weiss gar wohl, BuxWV 193
Dieterich Buxtehude: Vater unser im Himmelreich, BuxWV 219
Vater unser im Himmelreich, BuxWV 219
Dieterich Buxtehude: Toccata in F major, BuxWV 156
Toccata in F major, BuxWV 156
Andrew McGregor
10th October 2005
“Faultless registration and tempi; fluidity of rhythm and her ability to make the instrument sing out into the acoustic of the building are becoming hallmarks of this series. These qualities make her playing of the Choral Preludes particularly effective; a perfect balance of the melody against its contrasting accompaniment.”
Classics Today
“The chorale preludes "sing" with greater clarity, while the often wild freestyle nature of the four Praeludia…here sound more texturally detailed and chromatically varied. Her stirring conclusion to the first Praeludium in G minor is particularly ravishing.”
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