Schütz - Weinachtshistorie & Auferstehunghistorie

Dacapo: 8226058

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Schütz - Weinachtshistorie & Auferstehunghistorie

Awards:

Gramophone Awards 2010

Finalist - Baroque Vocal

Label:

Dacapo

Catalogue No:

8226058

Discs:

1

Release date:

26th Oct 2009

Barcode:

0636943605820

Length:

78 minutes

Medium:

CD (download also available)

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Schütz - Weinachtshistorie & Auferstehunghistorie


Schütz:

Weihnachts-Historie, SWV435

Auferstehungshistorie, SWV50


Jakob Bloch Jespersen (bass), Johan Linderoth (tenor), Adam Riis (tenor) & Else Torp (soprano)

Ars Nova Copenhagen, Concerto Copenhagen & Sirius Viols, Paul Hillier

CD

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The second volume of ARS NOVA Copenhagen & chief conductor Paul Hillier’s series showcasing the passions and oratorios of Heinrich Schütz features the Christmas Story and the Resurrection History, two masterly examples of the early vocal Baroque before the time of Bach, who admired Schütz.

ARS NOVA and a team of talented Danish soloists are accompanied by players of the acclaimed ensemble Concerto Copenhagen and the viola da gamba ensemble Sirius Viols, founded by and featuring Hille Perl, one of the world’s leading viola da gamba players.

Heinrich Schutz: Die Geburt unsers Herren Jesu Christi, SWV 435

Introduction: Die Geburt unsers Herren Jesu Christi

Recitative: Es begab sich aber zu derselbigen Zeit (Evangelist)

Intermedium I: Furchtet euch nicht! (Angel)

Recitative: Und alsbald war da bei dem Engel (Evangelist)

Intermedium II: Ehre sei Gott in der Hohe (The Host of Angels)

Recitative: Und da die Engel von ihnen gen Himmel fuhren (Evangelist)

Intermedium III: Lasset uns nun gehen (The shepherds in the field)

Recitative: Und sie kamen eilend (Evangelist)

Intermedium IV: Wo ist der neugeborne Konig (The Wise Men from the East)

Recitative: Da das der Konig Herodes horete erschrak er (Evangelist)

Intermedium V: Zu Bethlehem im judischen Lande (Chief Priests and Scribes)

Recitative: Da berief Herodes die Weisen heimlich (Evangelist)

Intermedium VI: Ziehet hin und forschet fleissig (Herodes)

Recitative: Als sie nun den Konig gehoret hatten (Evangelist)

Intermedium VII: Stehe auf Joseph (The Angel to Joseph)

Recitative: Und er stund auf und nahm das Kindlein (Evangelist)

Intermedium VIII: Stehe auf Joseph. Stehe auf und nimm das Kindlein (The Angel to Joseph in Egypt)

Recitative: Und er stund auf (Evangelist)

Dank sagen wir alle Gott unserm (Chorus)

Heinrich Schutz: Die Auferstehung unsres Herren Jesu Christi, SWV 50, "Auferstehungshistorie"

Introitus: Die Auferstehung unsers Herren Jesu Christi (Chorus)

Da der Sabbath vergangen (Evangelist, Die drei Weiber oder Marien, 2 Angels, Mary Magdalena)

Maria aber stund dem Grabe (2 Angels, Evangelist, Maria Magdalena, Jesus)

Die Weiber aber gingen hinein in das Grab (Young man in the sepulchre, Evangelist)

Und da gingen seine Jungern zu verkundigen (Jesus, Evangelist)

Da sie aber hingehen, siehe (Evangelist, High Preists)

Und siehe zweene aus ihnen gingen (Jesus, Evangelist, Kleophas, Chorus)

Es war aber am Abend desselbigen Sabbaths (Jesus, Evangelist)

Und abermal sprach er zu ihnen (Evangelist, Jesus)

Gott sei Dank, der uns den Sieggegeben (Chorus)

BBC Music Magazine

February 2010

*****

“The performance is first-rate throughout. Natural, tractable voices create characterful images - in the Christmas Story, Else Torp an ethereal angel, Jakob Bloch Jespersen a sneering Herod. The major roles of Evangelist are well narrated, in both Historien, with a natural speech rhythm paced to match the changing moods. A disc to cherish.”

Gramophone Magazine

June 2010

“Ars Nova Copenhagen reaffirms its status as an outstanding vocal ensemble with luminous and pure choral singing. Its members also provide excellent solos...Hillier paces and shapes Schütz's music to perfection...Schütz recordings of such ardent beauty are much too rare, so this is not to be missed.”

Penguin Guide

2011 edition

“The splendid Ars Nova Copenhagen, directed by the sensitive Paul Hillier, provide here totally compelling recordings of Schutz's inspired settings of the Christmas Oratorio and the History of the Resurrection...the solo singing is very fine, especially the radiant-voiced soprano, Else Torp.”

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