Cecilia Bartoli - Maria

Decca: 0743252

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Cecilia Bartoli - Maria

Awards:

Gramophone Magazine

DVD of the Month - July 2009

Label:

Decca

Catalogue No:

0743252

Discs:

2

Release date:

17th March 2008

Barcode:

0044007432525

Medium:

DVD Video

Format:

NTSC

Region:

all
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Cecilia Bartoli - Maria

The Barcelona Concert + Malibran Rediscovered


Balfe:

Yon moon o’er the mountains (from The Maid of Artois)

Bellini:

Ah, non credea mirarti (from La Sonnambula)

Garcia, M:

E Non Lo Vedo ... Son Regina

Yo Que Soy Contrabandista

Hummel, J:

Air À La Tirolienne Avec Variations

Malibran:

Oh dolce incanto (for Donizetti’s L’elisir d’amore)

Rataplan

Mendelssohn:

Infelice

Persiani:

Cari Giorni

Rossini:

Nacqui all'affanno, al pianto...Non più mesta (from La Cenerentola)

Assisa a' piè d'un salice (from Otello)


Cecilia Bartoli

Orchestra La Scintilla & International Chamber Soloists, Ádám Fischer

DVD Video - 2 discs

$26.50

In stock - usually despatched within 1 working day.

DVD 1 features the Barcelona concert from the ongoing Maria album tour La Rivoluzione Romantica. The 80 minute programmed performed in the stunning Palau de la Musica Catalana features highlights from the Maria album, and includes Rossini’s Willow Song as a DVD exclusive.

DVD 2 features a fascinating 70 minute film Malibran Rediscovered , following Cecilia Bartoli as she researches the life of Maria Malibran and records the album.

bbc.co.uk

Charlotte Gardner

11th January 2008

“[Bartoli] has aimed not only to present Malibran's repertoire but also to capture her sound. Bartoli's rich voice, with its pyrotechnical capabilities and dramatic powers, couldn’t have been better suited to the task...More than just a history lesson though, this is wonderful music sung by a modern-day star.”

Gramophone Classical Music Guide

2010

“No prima donna since Callas and Sutherland has excited such extreme reactions in audiences and critics as Cecilia Bartoli. This pair of DVDs will delight her admirers and perhaps confound some of the detractors. Bartoli's evident, and infectious, enthusiasm and delight in studying the career of Maria Malibran is sketched in Michael Sturminger's documentary, in whichwe follow her to many of the theatres and streets associated with the diva beloved of the Romantic imagination. In libraries and museums we are able to view some of the scores used by Malibran in her brief and stormy progress through the capitals of Europe. From the opening shots of a gondola in Venice passing through the Rio Malibran, to the final glimpse of her tomb in Brussels, one gets some idea of the impact she made on audiences in the 1820s and '30s.
Bartoli's concert, in the spectacular surroundings of Barcelona's Palau de la Música Catalana, includes many of the same arias that were on her CD 'Maria' (see above). With the encouragement of a wildly enthusiastic audience, she surpasses those performances, and in two Rossini items, the Willow Song from Otello and the final Rondo from La Cenerentola (neither on the CD), one feels that she is indeed invoking the shade of Manuel García's daughter. 'Nacqui' all'affano' benefits from Bartoli's study of Malibran's own variations for Cenerentola. As for the final encore, 'Yo que soy contrabandista' from García's opera El poeta calculista, in which Bartoli is accompanied by guitar, castanets, and 'clappers', it has to be heard and seen to be appreciated: serious fun.”

Gramophone Magazine

July 2009

“Bartoli's evident, and infectious, enthusiasm and delight in studying the career of Maria Malibran is sketched in Michael Sturminger's documentary… Bartoli's concert, in the spectacular surroundings of Barcelona's Palau de la Música Catalana, includes many of the same arias that were on her CD "Maria" (12/07). With the encouragement of a wildly enthusiastic audience, she surpasses those performances, and in two Rossini items, the Willow Song from Otello and the final Rondo from La Cenerentola (neither on the CD), one feels that she is indeed invoking the shade of Manuel García's daughter. As for the final encore, "Yo que soy contrabandista" from García's opera El poeta calculista, in which Bartoli is accompanied by guitar, castanets, and "clappers", it has to be heard and seen to be appreciated: serious fun.”

Penguin Guide

2011 edition

“Bartoli's personality comes through superbly...The concert was clearly a success and the excitement of the occasion comes over well in this handsomely produced DVD”

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