Rachmaninov: Symphonies Nos. 1-3 (complete)

Decca: 4481162

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Rachmaninov: Symphonies Nos. 1-3 (complete)

Label:

Decca

Catalogue No:

4481162

Discs:

2

Barcode:

0028944811629

Medium:

CD
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Rachmaninov: Symphonies Nos. 1-3 (complete)


CD - 2 discs

$15.25

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playRachmaninov: Symphony #1 In D Minor, Op.13 - 1. Allegro Ma Non Troppo

playRachmaninov: Symphony #1 In D Minor, Op.13 - 2. Allegro Animato

playRachmaninov: Symphony #1 In D Minor, Op.13 - 3. Larghetto

playRachmaninov: Symphony #1 In D Minor, Op.13 - 4. Allegro Con Fuoco

playRachmaninov: Symphony #2 In E Minor, Op. 27 - 1. Largo, Allegro Moderato

playRachmaninov: Symphony #2 In E Minor, Op. 27 - 2. Allegro Molto

playRachmaninov: Symphony #2 In E Minor, Op. 27 - 3. Adagio

playRachmaninov: Symphony #2 In E Minor, Op. 27 - 4. Allegro Vivace

playRachmaninov: Symphony #3 In A Minor, Op. 44 - 1. Lento, Allegro Moderato

playRachmaninov: Symphony #3 In A Minor, Op. 44 - 2. Adagio Ma Non Troppo

playRachmaninov: Symphony #3 In A Minor, Op. 44 - 3. Allegro, Allegro Vivace

Gramophone Classical Music Guide

2010

“Ashkenazy has made few more distinguished discs as conductor than his Rachmaninov symphony recordings of the early 1980s. The downside of the repackaging in this 2CD format is that you have to put up with a change of disc half-way through the Second Symphony and lose the shorter orchestral works included in the Previn set. Previn is the most natural but not always the most electrifying of Rachmaninov interpreters and many will find Ashkenazy preferable, particularly in No 1. Although some of Ashkenazy's speeds seem unnaturally pressed – he fairly tips us into the first movement reprise having declined to cap the climax with unvalidated bells – the excitement is infectious. Previn's LSO isn't at its best in the Larghetto, but in the corresponding movement of the Second Symphony the boot is on the other foot. Not that Ashkenazy isn't convincing too – so long as you can forget the Previn. Ashkenazy's volatile approach is at its most extreme in the Third, the mood much less autumnal than it usually is, with the fruity Concertgebouw brass unconstrained.
Such an unashamedly episodic rendering of the score has its drawbacks, but the virtuosic energy and Romantic gush are hard to resist. The recordings sound very well indeed.”

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