Beethoven - The Early String Quartets - Decca: 4708482 - download

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Robert Simpson disagreed with writers who believed that Beethoven's backward glances to Haydn and Mozart in his Op 18 set were so obvious as to distract attention from his own individuality.... — Gramophone Classical Music Guide, 2010 More…

Release Date: 9th Feb 2004
Catalogue No: 4708482
Label: Decca
Length: 2 hours 27 minutes

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April 2004

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2004

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Beethoven: String Quartet No. 1 in F major, Op. 18 No. 1

Work length27:14

$4.40

$6.00

Andras Fejér (cello), Roger Tapping (viola), Takács Quartet (string quartet), Edward Dusinberre (violin), Károly Schranz (violin)
Recorded: 2002-11-18
Recording Venue: St. George's, Bristol

1. Allegro con brio

Track length8:43

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2. Adagio affettuoso ed appassionato

Track length9:01

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3. Scherzo (Allegro molto)

Track length3:08

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4. Allegro

Track length6:22

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Beethoven: String Quartet No. 2 in G major, Op. 18 No. 2

Work length22:48

$4.40

$6.00

Andras Fejér (cello), Károly Schranz (violin), Takács Quartet (string quartet), Edward Dusinberre (violin), Roger Tapping (viola)
Recorded: 2003-09-01
Recording Venue: St. George's, Bristol

1. Allegro

Track length6:58

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2. Adagio cantabile - Allegro - Tempo I

Track length6:30

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3. Scherzo (Allegro)

Track length4:14

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4. Allegro molto, quasi presto

Track length5:06

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Beethoven: String Quartet No. 3 in D major, Op. 18 No. 3

Work length23:33

$4.40

$6.00

Andras Fejér (cello), Roger Tapping (viola), Takács Quartet (string quartet), Edward Dusinberre (violin), Károly Schranz (violin)
Recorded: 2002-11-18
Recording Venue: St. George's, Bristol

1. Allegro

Track length7:34

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2. Andante con moto

Track length7:12

$1.10

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3. Allegro

Track length2:33

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4. Presto

Track length6:14

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Beethoven: String Quartet No. 4 in C minor, Op. 18 No. 4

Work length22:06

$4.40

$6.00

Andras Fejér (cello), Károly Schranz (violin), Takács Quartet (string quartet), Edward Dusinberre (violin), Roger Tapping (viola)
Recorded: 2003-09-01
Recording Venue: St. George's, Bristol

1. Allegro ma non tanto

Track length8:13

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2. Andante scherzoso, quasi allegretto

Track length6:19

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3. Menuetto (Allegretto)

Track length3:30

$1.10

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4. Allegro

Track length4:04

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Beethoven: String Quartet No. 5 in A major, Op. 18 No. 5

Work length27:33

$4.40

$6.00

Andras Fejér (cello), Roger Tapping (viola), Takács Quartet (string quartet), Edward Dusinberre (violin), Károly Schranz (violin)
Recorded: 2002-11-18
Recording Venue: St. George's, Bristol

1. Allegro

Track length6:38

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2. Menuetto

Track length5:14

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3. Andante cantabile

Track length9:16

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4. Allegro

Track length6:25

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Beethoven: String Quartet No. 6 in B flat major, Op. 18 No. 6

Work length24:08

$4.40

$6.00

Andras Fejér (cello), Károly Schranz (violin), Takács Quartet (string quartet), Edward Dusinberre (violin), Roger Tapping (viola)
Recorded: 2003-09-01
Recording Venue: St. George's, Bristol

1. Allegro con brio

Track length6:01

$1.10

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2. Adagio ma non troppo

Track length6:43

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3. Scherzo (Allegro)

Track length3:04

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4. La Malinconia (Adagio - Allegretto quasi allegro - Adagio - Allegretto - Poco adagio - Prestissimo)

Track length8:20

$1.10

$1.50

Reviews
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Reviews

2010

Robert Simpson disagreed with writers who believed that Beethoven's backward glances to Haydn and Mozart in his Op 18 set were so obvious as to distract attention from his own individuality. The Takács disagree, too. They concede the tradition, but those glances are far from obvious. From the beginning this is Beethoven through and through. The opening bars of Op 18 No 1 are soft yet terse. The answering calls are conciliatory, but the suspense is palpable.
And, in a trenchant Allegro con brio, every sforzando is used to raise the tension, especially in the development. There are no concessions to surface beauty, and the message isn't subdued.
The Takács are particular about dynamics. The fortissimo chord near the finish of the slow movement is startling, and the build up from pianissimo is as impressive as the drop back to the end. The Adagio, though directed to be both impassioned and tender, tends to be fervent, while fine inflections to the line ensure that the fairly swift tempo doesn't appear hurried. Conversely, the Adagioma non troppo of No 6 is compassionately slow, but continuously mobile: these musicians don't overlay textures with fatty tissue. Despite wide separation, ensemble is always close-knit. Just how close may be appreciated in the Scherzos, which are tight and cohesive. That of No 4 has, in addition, precise give and take between the contrapuntal lines. The Takács play them in a way that leads the ear on without ignoring the expressive demands of the unusual marking Andantescherzoso quasi Allegretto.

Offer,Beethoven - The Early String Quartets

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