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Strauss (R): Elektra - Wo Bleibt Elektra?
Strauss (R): Elektra - Allein! Weh, Ganz Allein
Strauss (R): Elektra - Elektra!
Strauss (R): Elektra - Ich Kann Nicht Sitzen Und Ins Dunkel Starren
Strauss (R): Elektra - Es Geht Ein Lärm Los
Strauss (R): Elektra - Was Willst Du? Seht Doch, Dort!
Strauss (R): Elektra - Die Götter! Bist Doch Selber Eine Göttin
Strauss (R): Elektra - Ich Will Nichts Hören!
Strauss (R): Elektra - Ich Habe Keine Guten Nächte
Strauss (R): Elektra - Wenn Das Rechte Blutopfer
Strauss (R): Elektra - Was Bluten Muss?
Strauss (R): Elektra - Was Sagen Sie Ihr Denn?
Strauss (R): Elektra - Orest! Orest Ist Tot!
Strauss (R): Elektra - Platz Da! Wer Lungert Vor Einer Tür
Strauss (R): Elektra - Num Muss Es Hier Uns Geschehn
Strauss (R): Elektra - Du! Du! Denn Du Bist Stark!
Strauss (R): Elektra - Nun Denn, Allein!
Strauss (R): Elektra - Was Willst Du, Fremder Mensch
Strauss (R): Elektra - Elektra! Elektra
Strauss (R): Elektra - Orest!
Strauss (R): Elektra - Du Wirst Es Tun- Allein
Strauss (R): Elektra - Seld Ihr Von Sinnen
Strauss (R): Elektra - Ich Habe Ihm Das Beil Nicht Geben Können!
Strauss (R): Elektra - Es Muss Etwas Geschehen Sein
Strauss (R): Elektra - He! Lichter! Lichter!
Strauss (R): Elektra - Elektra! Schwester!
Strauss (R): Elektra - Ob Ich Nich Höre?
Strauss (R): Elektra - Hörst Du Denn Nicht, Sie Tragen Ihn
Strauss (R): Elektra - Schweig, Und Tanze
May 2007
*****
“A classic superbly remastered, with Nilsson's searing anti-heroine and Solti building almost unbearable tension. Includes Resnik's raddled Klytaemnestra, Krause's heroic Orest and Marie Collier, at the peak of her career.”
2010
“ Elektra is the most consistently inspired of all Strauss's operas and derives from Greek mythology, with the ghost of Agamemnon, so unerringly delineated in the opening bars, hovering over the whole work. The invention and the intensity of mood are sustained throughout the opera's one-act length, and the characterisation is both subtle and pointed. It's a work peculiarly well suited to Solti's gifts and it's his best recording in the studios. He successfully maintains the nervous tension throughout the unbroken drama and conveys all the power and tension in Strauss's enormously complex score which is, for once, given complete. The recording captures the excellent singers and the Vienna Philharmonic in a warm, spacious acoustic marred only by some questionable electronic effects. Notwithstanding the latter, this is undoubtedly one of the greatest performances on record and sounds even more terrifyingly realistic on this magnificent transfer.”
“It is one great strength of the new Decca set, though only one, that the opera is performed quite complete ... Strauss's score is fantasically rich in musical detail of all kinds and Solti lavishes care and insight on every conceivable aspect of it ... the onus of the performance falls firmly on Birgit Nilsson and she carries it as if it were all in a day's work ... this is an amazing impersonation.”
2010 edition
****
“Nilsson is almost incomparable in the name-part, with the hard side of Elektra's character brutally dominant...she is searingly accurate in approaching the most formidable exposed top notes....Solti's direction [is] sharply focused and brilliant in the savage music which predominates”
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Strauss (R): Elektra - Wo Bleibt Elektra?
