Danielle de Niese: Diva

Decca: 4782417

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Danielle de Niese: Diva

Label:

Decca

Catalogue No:

4782417

Discs:

1

Release date:

26th July 2010

Barcode:

0028947824176

Medium:

CD
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Danielle de Niese: Diva


Handel:

La Lucrezia "O Numi eterni", Cantata HWV 145

adapted/arranged Morgan Pochin

Lascia ch'io pianga (from Rinaldo)

Da tempeste il legno infranto (from Giulio Cesare)

Piangerò la sorte mia (from Giulio Cesare)

Semele: Myself I shall adore

Semele: Endless Pleasure

Jenkins, K:

Exsultate, Jubilate

Marcello, B:

Pace Non Trovo

adapted/arranged Morgan Pochin

Mozart:

Exsultate, jubilate, K165

Alleluia

La ci darem la mano (from Don Giovanni)

with Bryn Terfel

Ah Fuggi il Traditor (from Don Giovanni K527)

Vesperae Solennes de Confessore, K339: Laudate Dominum


CD

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Danielle de Niese's new album Diva, features world premier recording Exsultate, Jubilate by Karl Jenkins, her trademark Handel and Mozart arias, a stunning duet with the mighty Bryn Terfel and Lucretia and Pace Non Trovo both stunning arrangements by Morgan Pochin.

"an irresistible bundle of vocal fizz and sexual charisma" (Financial Times)

“..there’s a charisma that seems to emanate from her voice itself … an extraordinarily powerful and bell-like soprano" (The Independent)

“sexy, witty, compelling – at a level rarely seen on an opera stage” (New Statesman)

BBC Music Magazine

August 2010

****

“Her vocal and musical vitality shines out of every track”

The Times

23rd July 2010

**

“Their vocal virtues remain unaltered: clarity of attack, a fluidity across all registers, a voice full of sunshine and joy.”

Gramophone Magazine

September 2010

“The young soprano displays impressive technical skills in her singing of florid music; scales and other passagework are immaculate in clarity and evenness, and they are blessedly innocent of aspirates and other easing devices.”

International Record Review

September 2010

“[Jenkins's] brief setting of Exsultate Jubilate for de Niese is great fun, with chugging strings and excitable vocal line giving way to a more mellow middle section before returning to the 'A' section with some wildly exciting high B naturals.”

Click on any of the works listed above for alternative recordings.

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