Emma Kirkby: Complete Recitals

Decca: 4787863

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Emma Kirkby: Complete Recitals

Label:

Decca

Catalogue No:

4787863

Discs:

12

Release date:

2nd March 2015

Barcode:

0028947878636

Length:

11 hours 24 minutes

Medium:

CD (download also available)

Early Music

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Emma Kirkby: Complete Recitals


CD1: The Lady Musick – Elizabethan Songs [Edwards, Campion, Dowland, Morley, etc.]

Anthony Rooley

CD2: Pastoral Dialogues [Corkine, Dowland, Johnson, Lawes, D’India, etc.]

CD3: Amorous Dialogues[Bartlett, Ferrabosco, Morley, Lawes, D’India, Monteverdi, etc.]

CD4: Duetti da Camera [D’India, Frescobaldi, Grandi, Monteverdi, Sabbatini, etc.]

CD5: PURCELL: Songs and airs

Anthony Rooley

CD6: BACH: Coffee and Peasant Cantatas [BWV 211 & BWV 212]

Rogers Covey-Crump, David Thomas, The Academy of Ancient Music, Christopher Hogwood

CD7: BACH: Wedding Cantatas [BWV 202, 82, 210]

Academy Of Ancient Music Chamber Ensemble, Christopher Hogwood

CD8: Emma Kirkby sings Mrs Arne [Handel, Lampe, Arne]

The Academy of Ancient Music, Christopher Hogwood

CD9: HANDEL: Italian Cantatas [HWV 171, 123b, 81, 170]

The Academy of Ancient Music, Christopher Hogwood

CD10: HANDEL: Italian Cantatas [192,136a, 189, 137, 196, 201 + bonus tracks]

The Academy of Ancient Music, Christopher Hogwood

CD11: MOZART: Esultate, jubilate, etc.

The Academy of Ancient Music, Christopher Hogwood

CD12: MOZART: Arias

The Academy of Ancient Music, Christopher Hogwood


Emma Kirkby (soprano)

CD - 12 discs

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This 12CD collection brings together Emma Kirkby’s complete L'Oiseau-Lyre recitals in a single set. The world’s most popular period-instrument soprano, Kirkby’s pure, crystalline sound defined how vocal music of the baroque and earlier eras should sound for a whole generation or more.

Accompanied in the main by Anthony Rooley, the set features works by Purcell, Handel, Bach and Mozart as well as rarely recorded works by Edwards, Campion, Dowland, Morley, Ferrabosco and many more.

Presented in a 12CD capbox with 44pp booklet featuring tracklists, recordings information, rare photographs and an essay by Lindsay Kemp and original album covers.

Lindsay Kemp writes: ‘’Even today, nearly half a century after performing styles in music of the Renaissance, Baroque and Classical periods underwent a major upheaval thanks to what has become known as “the early music movement”, there are few alumni of that revolution (some conductors excepted) who could be considered stars recognised in the wider musical world. That Emma Kirkby is one, and that she has maintained that status without compromise to the style and principles of music-making with which she started out, is testimony not just to the distinctive pure colouring of her voice, but to a steady artistic integrity, personal modesty and generosity that have made her one of the most professionally respected and well-loved figures in the business.’’

Richard Edwards: Where Gripinge Griefs

Where Gripinge Griefs

Thomas Campion: Come Let Us Sound With Melodie The Praises

Come Let Us Sound With Melodie The Praises

John Dowland: In This Trembling Shadow

In This Trembling Shadow

John Danyel: Like As the Lute Delights

Like As the Lute Delights

John Dowland: Second Booke of Songes, 1600

1. I Saw My Ladye Weepe

Francis Pilkington: Rest Sweet Nimphs

Rest Sweet Nimphs

Thomas Campion: When To Her Lute Corrina Sings

When To Her Lute Corrina Sings

Francis Pilkington: Musick Deare Solace

Musick Deare Solace

Thomas Morley: I Saw My Ladye Weeping

I Saw My Ladye Weeping

Robert Jones: If In This Flesh

If In This Flesh

Francis Pilkington: Come All Ye

Come All Ye

John Bartlett: Sweet Birdes Deprive Us Never

Sweet Birdes Deprive Us Never

Robert Jones: Whither Runneth My Sweetheart

Whither Runneth My Sweetheart

William Corkine: Fly Swift My Thoughts

Fly Swift My Thoughts

William Corkine: We Yet Agree

We Yet Agree

John Dowland: Sorrow Stay, Lend True Repentant Tears - Die Not Before The Day - Mourne, Mourne, Day Is With Darkness Fled

Sorrow Stay, Lend True Repentant Tears - Die Not Before The Day - Mourne, Mourne, Day Is With Darkness Fled

Robert Johnson: As I Walked Forth

As I Walked Forth

Robert Johnson: 'Tis Late And Cold

'Tis Late And Cold

Robert Johnson: Charon, O Charon

Charon, O Charon

William Lawes: Dialogues

Come, My Daphne, Come Away

Vulcan, O Vulcan, My Love

Enrico Radesca di Foggia: Non miri il mio bel sole

Non miri il mio bel sole

Jocopo Peri: Al fonte, al prato

Al fonte, al prato

Andrea Falconieri: Perchè piangi, pastore

Perchè piangi, pastore

Sigismondo D'India: Che Farai, Meliseo? ... Qual Fiera Si Crudel?

Che Farai, Meliseo? ... Qual Fiera Si Crudel?

Alessandro Grandi: Surge propera amica mea

Surge propera amica mea

Sigismondo D'India: Odi quel rosignuolo

Odi quel rosignuolo

Giovanni Rovetta: Uccidetemi pur, bella tiranna

Uccidetemi pur, bella tiranna

Tarquinio Merula: No, ch'io non mi fido

No, ch'io non mi fido

John Bartlett: Whither Runneth My Sweetheart

Whither Runneth My Sweetheart

Alfonso Ferrabosco Jr.: Fayre cruell Nimph

Fayre cruell Nimph

Alfonso Ferrabosco Jr.: Tell Me, O Love

Tell Me, O Love

Thomas Morley: Who Is It That This Dark Night?

Who Is It That This Dark Night?

Thomas Ford: Shut Not, Sweet Breast

Shut Not, Sweet Breast

Henry Lawes: A Dialogue Upon A Kiss

A Dialogue Upon A Kiss

Henry Lawes: A Dialogue Betwixt Time And A Pilgrime: Aged Man That Moves These Fields

A Dialogue Betwixt Time And A Pilgrime: Aged Man That Moves These Fields

Marco Zenobi da Gagliano: Bel Pastor

Bel Pastor

Sigismondo D'India: Da l'onde del mio pianto

Da l'onde del mio pianto

Benedetto Ferrari: Dialogo a due, Fileno e Lidia:Amar io to consiglio

Dialogo a due, Fileno e Lidia:Amar io to consiglio

Benedetto Ferrari: Amanti io vo se dire

Amanti io vo se dire

Nicolo Fontei: Dio ti salvi pastor

Dio ti salvi pastor

Claudio Monteverdi: Bel pastor

Bel pastor

Angelo Notari: Intenerite voi, lagrime mie

Intenerite voi, lagrime mie

Sigismondo D'India: Alla guerra d'amore

Alla guerra d'amore

Giuseppe Valentini: Vanne, O carta amorosa

Vanne, O carta amorosa

Girolamo Frescobaldi: Maddalena alla Croce: sonetto spirituale

Maddalena alla Croce: sonetto spirituale

Alessandro Grandi: Spine care e soavi

Spine care e soavi

Nicolo Fontei: Fortunato cantore

Fortunato cantore

Giovanni Rovetta: Chi vuol haver felice e lieto il core

Chi vuol haver felice e lieto il core

Claudio Monteverdi: O come sei gentile

O come sei gentile

Sigismondo D'India: La mia Filla crudel

La mia Filla crudel

Giovanni Rovetta: Io mi sento morir

Io mi sento morir

Sigismondo D'India: La Virtù

La Virtù

Galeazzo Sabbatini: Udite, o selve

Udite, o selve

Galeazzo Sabbatini: Fulmina da la bocca

Fulmina da la bocca

Henry Purcell: The Fairy Queen, Z.629 / Act 5

"Hark! How All Things"

Henry Purcell: Celebrate This Festival, Z.321 (Birthday Ode for Queen Mary)

"Crown The Altar, Deck The Shrine"

Henry Purcell: "If Music Be The Food Of Love", Z.379

"If Music Be The Food Of Love", Z.379

Henry Purcell: "Not All My Torments Can Your Pity Move", Z. 400

"Not All My Torments Can Your Pity Move", Z. 400

Henry Purcell: The Fairy Queen, Z.629 / Part 3: The Sweet Passion

"O Let Me Weep, For Ever Weep"

Henry Purcell: The Indian Queen, Z. 630 / Act 3

"I Attempt From Love's Sickness To Fly"

Henry Purcell: "Olinda In The Shades Unseen", Z.404

"Olinda In The Shades Unseen", Z.404

Henry Purcell: "Urge Me No More", Z.426

"Urge Me No More", Z.426

Henry Purcell: Mad Bess of Bedlam ("From Silent Shades"), Z.370

Mad Bess of Bedlam ("From Silent Shades"), Z.370

Henry Purcell: "Lovely, Lovely Albina's Come Ashore", Z.394

"Lovely, Lovely Albina's Come Ashore", Z.394

Henry Purcell: "Sweeter Than Roses", Z.585

"Sweeter Than Roses", Z.585

Henry Purcell: The Tempest, Z.631 / Act 4

"Dear Pretty Youth"

Henry Purcell: "When First Amintas Sued For A Kiss", Z.430

"When First Amintas Sued For A Kiss", Z.430

Henry Purcell: Timon of Athens, Z.632 / The Masque

"The Cares Of Lovers"

Henry Purcell: The Fairy Queen, Z.629 / Act 3

"Ye Gentle Spirits Of The Air"

Henry Purcell: Evening Hymn, Z.193

Evening Hymn, Z.193

Johann Sebastian Bach: Coffee Cantata BWV211

Schweigt stille, plaudert nicht...Hat man nicht mit seinen Kindern

"Ei! wie schmeckt der Coffee susse"

Mädchen, die von harten Sinnen

Heute noch

Die Katze lässt das Mausen nicht

Johann Sebastian Bach: Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata"

1. Ouverture

2-3. Mer hahn en neue Oberkeet...Nu, Mieke, gib dein Guschel immer her

4-5 Ach es schmeckt doch gar zu gut

6-7. Ach, Herr Schösser, geht nicht gar zu schlimm

8-9. Unser trefflicher, lieber Kammerherr

10-11: Das ist galant, es spricht niemand

12-13. Fünfzig Taler bares Geld

14-15: Klein-Zsocher müsse so zart und süße

16-17: Es nehme zehntausend Dukaten

18-19: Gib, Schöne, viel Söhne

20-21: Dein Wachstum sei feste

22. Arie: Und daß ihr's alle wißt

24. Chor (Duetto): Wir gehn nun, wo der Dudelsack

Johann Sebastian Bach: Cantata No.202 "Weichet nur, betrübte Schatten" (Wedding Cantata), BWV 202

1. Adagio: Weichet nur, betrübte Schatten

2. Recit: Die Welt wird wieder neu

3. Aria: Phöbus eilt mit schnellen Pferden

4. Recit: D'rum sucht auch Amor sein Vergnügen

5. Aria: Wenn die Frühlingslüfte streichen

6. Recit: Und dieses ist das Glücke

7. Aria: Sich üben im Lieben

8. Recit: So sei das Band der keuschen Liebe

9. Gavotte: Sehet in Zufriedenheit

Johann Sebastian Bach: "Bist du bei mir", BWV 508 Aria

"Bist du bei mir", BWV 508 Aria

Johann Sebastian Bach: Gedenke doch, mein Geist zurücke

Gedenke doch, mein Geist zurücke

Johann Sebastian Bach: Cantata "Ich habe genug" BWV 82

2. Recitativo: Ich habe genug! Mein Trost ist nur allein

3. Aria: Schlummert ein, ihr matten Augen

Johann Sebastian Bach: Cantata, BWV 210 "O holder Tag, erwünschte Zeit"

1. Recit: O holder Tag, erwünschte Zeit

2. Aria: Spielet, ihr beseelten Lieder

3. Recit: Doch haltet ein, ihr muntern Saiten

4. Aria: Ruhet hie, matte Töne

5. Recit: So glaubt man denn, daß die Musik verführe

6. Aria: Schweigt, ihr Flöten, schweigt ihr Töne

7. Recit: Was Luft? was Grab?

8. Aria: Großer Gönner, dein Vergnügen

9. Recit: Hochteurer Mann, so fahre ferner fort

10. Aria: Seid beglückt

George Frideric Handel: Alessandro Severo: Overture - HWVA13

Alessandro Severo: Overture - HWVA13

John Frederick Lampe: Britannia

Welcome Mars

John Frederick Lampe: Dione (1732)

Pretty Warblers

George Frideric Handel: Hornpipe in D, HWV 356

Hornpipe in D, HWV 356

Thomas Augustine Arne: Rosamunde (Stage work, 1733)

Rise, Glory, Rise

George Frideric Handel: Ariodante HWV 33 / Act 3

"Neghittosi, or voi che fate?"

George Frideric Handel: Alcina, HWV 34 / Act 3

Credete al mio dolore

George Frideric Handel: Alcina, HWV 34 / Act 1

"Tornami a vagheggiar"

George Frideric Handel: March in D, HWV.345

March in D, HWV.345

George Frideric Handel: Alexander's Feast, HWV.75 / Part 1

"War, He Sung, Is Toil And Trouble"

George Frideric Handel: L'Allegro, Il Penseroso ed Il Moderato, HWV 55

"Sweet Bird, That Shun'st The Noise Of Folly"

George Frideric Handel: Saul, HWV 53 / Act 1

"Capricious Man"

Thomas Augustine Arne: The Masque of Comus

"By The Rushy-Fringed Bank"

"Thrice Upon Thy Fingers Tip"

Thomas Augustine Arne: "Where The Bee Sucks"

"Where The Bee Sucks"

George Frideric Handel: Tu fedel? Tu costante?

Sonata

Tu fedel? tu costante?

Cento belle ami, Fileno

L' occhio nero vivace di Filli

Se Licori, Filli ed io

Ma, se non hai più...Se non ti piace amarmi

Sì, crudel, ti lascierò

George Frideric Handel: Mi palpita il cor

Mi palpita il cor

Ho tanti affanni in petto

Clori, di te mi lagno

S'un dì m'adora la mia crudele

George Frideric Handel: Alpestre monte

Alpestre monte

Io son ben ch'il vostro orrore

Quindi men vengo a voi

Almen dopo il fato mio

George Frideric Handel: Tra le fiamme

Tra le fiamme tu scherzi pergioco

Dedalo già le fortunate penne

Pien di nuovo e bel diletto

Sì, sì, purtroppo è vero

Voli per l'aria chi può volare

L'uomo che nacque per salire al Cielo

Tra le fiamme tu scherzi per salire per gioco

George Frideric Handel: "Quel fior che all'alba ride" (Duetto XV), HWV.192

"Quel fior che all'alba ride" (Duetto XV), HWV.192

George Frideric Handel: Cantata : Nell'Africane selve, HWV 136a

"Nell'Africaine selve....Langue trema"

"Nice, là fra confine....Chiedo amore"

George Frideric Handel: "No, di voi non vuo' fidarmi" (Duetto XVI), HWV.189

"No, di voi non vuo' fidarmi" (Duetto XVI), HWV.189

George Frideric Handel: Cantata: Nelle Stagion che, di viole e rose, HWV 137

"Nella stagion che...Ride il fiore"

"Così la ninfa...Tergei il ciglio lagrimoso"

George Frideric Handel: "Tacete, Ohimè, Tacete!" (Duetto X), HWV 196

"Tacete, Ohimè, Tacete!" (Duetto X), HWV 196

George Frideric Handel: Se tu non lasci amore, HWV 201

Se tu non lasci amore, HWV 201

George Frideric Handel: La Resurrezione (1708), HWV47 / Parte Prima

"Disserratevi, o porte d'Averno"

George Frideric Handel: Messiah, HWV 56 /- Pt 1

But who may abide the day of his coming

George Frideric Handel: Messiah, HWV 56 / Pt. 2

"Thou Art Gone Up On High"

George Frideric Handel: Messiah, HWV 56 / Pt. 3

"If God Be For Us"

Franz Joseph Haydn: The Creation (Die Schöpfung), Hob.XXI:2 / Part 1-Scene 3

With Verdure Clad The Fields Appear

Franz Joseph Haydn: The Creation (Die Schöpfung), Hob.XI: 2 / Part 2-Scene 1

And God Said: "Let The Waters Bring Forth"

On Mighty Pens Uplifted Soars The Eagle Aloft

Franz Joseph Haydn: The Creation (Die Schöpfung), Hob.XI: 2 / Part 3-Scene 3

Graceful Consort! At Thy Side

Wolfgang Amadeus Mozart: Exsultate, jubilate, K.165

1. Exsultate, jubilate

Tandem advenit hora

3. Tu virginum corona

4. Alleluia

Wolfgang Amadeus Mozart: Regina coeli in C, K.108

Regina coeli in C, K.108

Wolfgang Amadeus Mozart: Ergo interest... Quaere superna, K.143

Ergo interest... Quaere superna, K.143

Wolfgang Amadeus Mozart: Regina coeli in B flat, K.127

Regina coeli in B flat, K.127

Wolfgang Amadeus Mozart: Il re pastore, K.208 / Act 1

"Aer tranquillo"

Wolfgang Amadeus Mozart: Il re pastore, K.208 / Act 2

"L'amerò, sarò costante"

Wolfgang Amadeus Mozart: "Voi avete un cor fedele", K.217

"Voi avete un cor fedele", K.217

Wolfgang Amadeus Mozart: "Ah, lo previdi...Ah, t'invola agl'occhi miei", K.272

"Ah, lo previdi...Ah, t'invola agl'occhi miei", K.272

Wolfgang Amadeus Mozart: Zaide, K.344 / Act 1

"Ruhe sanft, mein holdes Leben"

Wolfgang Amadeus Mozart: Zaide, K.344 / Act 2

"Trostlos schluchzet Philomele"

Wolfgang Amadeus Mozart: "Nehmt meinen Dank", K.383

"Nehmt meinen Dank", K.383

Wolfgang Amadeus Mozart: "Ch'io mi scordi di te... Non temer, amato bene", K.505

"Ch'io mi scordi di te... Non temer, amato bene", K.505

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