Tornami a vagheggiar (from Alcina) Emma Kirkby The Academy of Ancient Music, Christopher Hogwood Ah Stigie larve! (from Orlando) James Bowman The Academy of Ancient Music, Christopher Hogwood Già latra Cerbero (from Orlando) James Bowman The Academy of Ancient Music, Christopher Hogwood Vaghe pupille, non piangete (from Orlando) James Bowman The Academy of Ancient Music, Christopher Hogwood Atterrato il muro cada (from Riccardo Primo) Janet Creaser Hutchins - Piano / Les Talens Lyriques / Sara Mingardo - Contralto / Timothy Hutchins - flute Christophe Rousset Care selve (from Atalanta) Luciano Pavarotti Orchestra del Teatro Comunale di Bologna, Richard Bonynge Semele: Hence, Iris, hence away Marilyn Horne New Symphony Orchestra of London, Richard Bonynge Io t'abbraccio (from Rodelinda) Alicia Nafé, Dame Joan Sutherland Welsh National Opera Orchestra, Richard Bonynge Ezio (or Aetius), 1732 : Se un bell'ardire Forbes Robinson The Academy of St. Martin in the Fields, Philip Ledger Piangerò la sorte mia (from Giulio Cesare) Teresa Berganza Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson Alcina : Dream music: Entrée de songes funestes...Le Combat The Academy of St. Martin in the Fields, Neville Marriner Lascia ch'io pianga (from Rinaldo) Bernadette Greevy The Academy of St. Martin in the Fields, Neville Marriner Sta nell'Ircana pietrosa tana (from Alcina) Teresa Berganza London Symphony Orchestra, Richard Bonynge Frondi tenere e belle ... Ombra mai fù (from Serse) Renata Tebaldi New Philharmonia Orchestra, Richard Bonynge Si, tra i ceppi (from Berenice) Geraint Evans L'Orchestre de la Suisse Romande, Bryan Balkwill Dove sei, amato bene? (from Rodelinda) Marilyn Horne Vienna Cantata Orchestra, Henry Lewis Da tempeste il legno infranto (from Giulio Cesare) Dame Joan Sutherland New Symphony Orchestra of London, Richard Bonynge | 
