JS Bach: Ich Hatte Viel Bekümmernis

ECM: 4764386

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JS Bach: Ich Hatte Viel Bekümmernis

Awards:

Gramophone Magazine

Editor's Choice - Awards Issue 2011

Label:

ECM

Catalogue No:

4764386

Series:

New Series

Discs:

1

Release date:

20th June 2011

Barcode:

0028947643869

Medium:

CD
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JS Bach: Ich Hatte Viel Bekümmernis


Bach, J S:

Cantata BWV21 'Ich hatte viel Bekümmernis'

Concerto for Oboe & Violin in C minor, BWV1060

Easter Oratorio, BWV249: Adagio (sinfonia)

Oboe d'amore Concerto in A major, BWV1055

Cantata BWV12 'Weinen, Klagen, sorgen, Zagen'

Oboe Concerto in D minor, BWV1059

plus:

Konzert in d-moll für Oboe, Streicher und Basso continuo


Heinz Holliger (oboe, oboe d'amore) & Erich Höbarth (violin & conductor)

Camerata Bern

CD

$17.75

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Ich hatte viel Bekümmernis is a magnificent account of Bach’s concertos and sinfonias for oboe with Holliger once again proving himself unrivalled as a player of the instrument.

Holliger’s albums of classical core repertoire have become infrequent, and this is his first such for ECM since his 1997 Zelenka recording.

The oboist’s superb performance also attests to his long artistic relationship with the Camerata Bern. Soloist and ensemble are in perfect accord and impeccable ECM sound renders every detail in the music crystal clear. Holliger also contributes liner notes in which he speaks of his abiding love of Bach’s work.

playSinfonia - zur Kantate "Ich hatte viel Bekummernis" BMV 21 fur Solo-Oboe, Solo-Violine Streicher und Basso continuo

playKonzert c-Moll BMV 1060 fur Oboe Violine, Streicher und Bass continuo - Allegro

playKonzert c-Moll BMV 1060 fur Oboe Violine, Streicher und Bass continuo - Adagio

playKonzert c-Moll BMV 1060 fur Oboe Violine, Streicher und Bass continuo - Allegro

playAdagio - aus der Sinfonia des Oster-Oratoriums "Kommt, eilet und laufet" BMV 249 fur Solo-Oboe, Streicher und Basso continuo

playKonzert A-Dur BMV 1055 fur Oboe d'amoe, Streicher und Bass continuo - [ohne Satzangabe]

playKonzert A-Dur BMV 1055 fur Oboe d'amoe, Streicher und Bass continuo - Larghetto

playKonzert A-Dur BMV 1055 fur Oboe d'amoe, Streicher und Bass continuo - Allegro ma non tanto

playKonzert d-Moll fur Oboe, Streicher und Basso continuo - Andante e spiccato

playKonzert d-Moll fur Oboe, Streicher und Basso continuo - Adagio

playKonzert d-Moll fur Oboe, Streicher und Basso continuo - Presto

playSinfonia - zur Kantate "Weinen, Klagen, Sorgen, Zagen" BMV 12 fur Solo-Oboe, Streicher und Basso continuo

playKonzert d-Moll BMV1059 fur Oboe, Streicher und Basso continuo - Allegro

playKonzert d-Moll BMV1059 fur Oboe, Streicher und Basso continuo - Adagio

playKonzert d-Moll BMV1059 fur Oboe, Streicher und Basso continuo - Presto

BBC Music Magazine

November 2011

****

“He plays idiomatically...with stylish decorations. Yet surprisingly he combines his modern oboe with Baroque period strings...Camerata Bern supports buoyantly and though with momentary minor tuning lapses...A fine testimony to an oustandingly versatile musician - most enjoyable.”

Classic FM Magazine

October 2011

**

“Holliger may be now in his seventies but age hasn't taken the edge off his technique. The unruffled legato with which he unfolds Bach's florid lines makes this performance equivalent of a super-smooth bourbon.”

Gramophone Magazine

Awards Issue 2011

“a recital of rare questing elegance...The deft, yielding rubatos in the slow movements afford an irresistable warmth which provide a compelling foil to the visceral originality of the playing...this is music-making which can only ravish in its undimmed personality and artistic ambition.”

Sunday Times

3rd July 2011

****

“This gloriously enjoyable recording, released with an ECM disc of recent Holliger vocal and chamber works, offers “reclamations” for oboe and string orchestra of Bach works familiar in other guises, yet originally cast for the instrument. The C minor work well known as a double harpsichord concerto is really, Holliger and modern scholarship contend, one for oboe and violin (Erich Höbarth), and sounds marvellous in that form here.”

The Guardian

23rd June 2011

***

“his tone may not be quite as fulsome as once it was, but the elegance and intelligence of his playing remain peerless, and the qualities that made him the greatest oboist of the 20th century are obvious as ever.”

Click on any of the works listed above for alternative recordings.

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