“I was lucky to grow up in a country where we can enjoy silence. To get to the mountains, to hear a brook running, a bird singing, that’s really music for me”
Leif Ove Andsnes
CD
$13.00
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Sibelius: Etude, Op. 76/2
Scriabin: Impromptu In B, Op. 14/1
Mendelssohn: Songs Without Words, Vol. 6, Op. 67 - #2 In F Sharp Minor
Strauss (R): Ständchen, Op. 17/2
Mompou: Paisajes - 2. El Lago
Busoni: 10 Choral Preludes - Ich Ruf' Zu Dir, Herr Jesu Christ
Chopin: Impromptu #1 In A Flat, Op. 29, CT 43
Liszt: Liebestraum #3, S 541/3, "O Lieb, So Lang Du Lieben Kannst"
Shostakovich: The Golden Age, Op. 22 - Polka
Albéniz: Hojas De Album, Op. 165, "España" - 2. Tango
Ruiz-Pipó: Canción Y Danza #1
Liszt: Polish Songs, S 480 - 5. Meine Freuden
Chopin: Valse Impromptu, S 213
Antheil: Toccata #2
Trenet: Coin De Rue
Halvorsen: Suite De Morceaux Caractéristiques - Veslemoy's Song
Grieg: 4 Humoresques, Op. 6 - 3. Allegretto Con Grazia
Smetana: Am Seegestade, B 119
Scott (C): 2 Pieces, Op. 47 - Lotus Land
Ibert: 10 Histoires - 2. Le Petit Âne Blanc
Debussy: Suite Bergamasque - Claire De Lune
Grieg: Stimmungen, Op. 73 - Folketone
October 2006
*****
“…everything here is a delight. Mompou's miniatures grow under Andsnes's skilful hands, Scriabin exudes his perfume, and Smetana evokes the full-dress glory of Central European domestic pianism. Pieces by Grieg and Johan Halvorsen bring this patriotic Norwegian lad back home.”
2010
“Andsnes here reveals a hitherto hidden side to his art – the salon charmer. Some of the pieces are favourites from his childhood, though it is not every nine-year-old who has tackled Sibelius's uncharacteristically jolly 'Staccato' Etude or mastered Chopin's First Impromptu with such fluency and grace. Appealing, too, is the drama and sweep he brings to Liszt's Liebestraum No 3 (though it will not suit everyone's taste) and his avoidance of cliché, while the Norwegian's own transcription of Halvorsen's Chant de Veslemöy (originally for violin), Ibert's Le petit âne blanc and Debussy's Clair de lune are played with a beguil- ing innocence, ravishing tonal finesse and – most important – palpable affection. Bravura highlights include Gieseking's effulgent transcription of Richard Strauss's Ständchen and Smetana's Am Seegestade ('By the sea'), reminiscent of Raff's La fileuse and a rare example of a concert étude that opens in one key (B major) and closes a tone lower! Enterprisingly, Andsnes has tracked down a score of Charles Trénet's song Coin de rue transcribed by the coyly named 'Mr Nobody' whom I have no qualms about outing as none other than Alexis Weissenberg. The whole recital is superbly recorded. As Andsnes himself says, 'It's great to see people walk away from a concert with a smile on their face'. This disc has the same effect.”
November 2006
“Andsnes here reveals a hitherto hidden side to his art - the salon charmer. …Ibert's Le petit âne blanc and Debussy's Clair de lune are played with a beguiling innocence, ravishing tonal finesse and - most important - palpable affection. Bravura highlights include Gieseking's effulgent transcription of Richard Strauss's Ständchen and Smetana's Am Seegestade ("By the sea")... The whole recital is superbly recorded. As Andsnes himself says, "It's great to see people walk away from a concert with a smile on their face". This disc has the same effect.”
Click on any of the works listed above for alternative recordings.
Sibelius: Etude, Op. 76/2
