In stock - usually despatched within 1 working day.
Grieg: Lyric Pieces, Book 1, Op. 12 - Arietta
Grieg: Lyric Pieces, Book 1, Op. 12 - Waltz
Grieg: Lyric Pieces, Book 1, Op. 12 - Norwegian Melody
Grieg: Lyric Pieces, Book 1, Op. 12 - Folk Melody
Grieg: Lyric Pieces, Book 2, Op. 38 - Canon
Grieg: Lyric Pieces, Book 2, Op. 38 - Elegy
Grieg: Lyric Pieces, Book 2, Op. 38 - Waltz
Grieg: Lyric Pieces, Book 4, Op. 47 - Melody
Grieg: Lyric Suite, Op. 54 - March Of The Trolls
Grieg: Lyric Suite, Op. 54 - Notturno
Grieg: Lyric Pieces, Book 6, Op. 57 - Gade
Grieg: Lyric Pieces, Book 6, Op. 57 - Illusion
Grieg: Lyric Pieces, Book 6, Op. 57 - Homesickness
Grieg: Lyric Pieces, Book 7, Op. 62 - Homeward
Grieg: Lyric Pieces, Book 7, Op. 62 - The Brook
Grieg: Lyric Pieces, Book 7, Op. 62 - Phantom
Grieg: Lyric Pieces, Book 7, Op. 62 - Sylph
Grieg: Lyric Pieces, Book 9, Op. 68 - Cradle Song
Grieg: Lyric Pieces, Book 9, Op. 68 - Wedding Day At Troldhaugen
Grieg: Lyric Pieces, Book 9, Op. 68 - Evening In The Mountains
Grieg: Lyric Pieces, Book 9, Op. 68 - At Your Feet
Grieg: Lyric Pieces, Book 10, Op. 71 - Summer Evening
Grieg: Lyric Pieces, Book 10, Op. 71 - Gone
Grieg: Lyric Pieces, Book 10, Op. 71 - Remembrances
Proms 2007
“Andsnes penetrates the psyche of this music, and his playing of consummate artistry and insight. Not only does he have keen poetic feeling but magisterial pianistic finesse.”
2010
“Once again on home ground, Andsnes reminds you of his capacity to go directly to the heart of the matter. Taking you on a journey of increasing subtlety and introspection, he makes you aware that so much of this music is for those long winter nights. At the same time the music is so richly varied: 'Melody's insistent dactylic rhythm creates a strange unsettling poetic ambience, while the central oasis of calm in 'Wedding Day at Troldhaugen' would surely melt a heart of stone. All Andsnes's performances have that deceptive simplicity which is his touchstone. His playing is always sensitive, never sentimental and with a bracing and essential 'touch of the codfish' (Grieg) when required. And while one would never want to be without Gilels' rapt DG performances (see below), praise could hardly be too high for a pianist who so enviably captures the poignant nature of a composer who Tchaikovsky once claimed had 'a glance like a charming and candid child'. Grieg's piano, with its distinctive timbre, provides an added touch of nostalgia.”
Click here for alternative recordings of this work.