Olivier Baumont - St. Petersburg Recital

Erato: 2564689676

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Olivier Baumont - St. Petersburg Recital

Label:

Erato

Catalogue No:

2564689676
(2564 68967-6)

Discs:

1

Release date:

20th July 2009

Barcode:

0825646896769

Medium:

CD
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Olivier Baumont - St. Petersburg Recital


anon.:

7 Variations ‘Po vsei derevne Katenka krasavitsei slyva’

Bortnyansky:

"Concerto di Cembalo Per Sua Altezza Imperiale Gran Duchessa di Russia"

Harpsichord Sonata No. 3 in F major

Harpsichord Sonata No. 1 in B flat major

Gurilyov, L:

Prelude

Karaülov:

10 Variations ‘Ty detinushka, sirotinushka’

Kozlovsky:

Polonaise ‘Pozhaluite, sudarynya’ & trio

Manfredini:

Sonata III

Paisiello:

Preludio & Rondo

Sinfonia dell’Opera ‘Alcide al Bivio’


Olivier Baumont (harpsichord)

CD

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French harpsichordist Olivier Baumont has distinguished himself as a performer and scholar, specializing in French Baroque repertoire. He took up the harpsichord without learning piano first, sharing his family's love for French history of the seventeenth and eighteenth centuries. He studied with Kenneth Gilbert and Huguette Dreyfus and worked with Gustav Leonhardt in his master classes in Cologne. He was awarded first prize in harpsichord (1981) and in chamber music (1982) at the Paris Conservatory and won the Concours de Solistes de Radio France in 1982. He frequently performs at music festivals in Europe, England, and the United States, and has toured widely. Since 1992, he has directed the Festival Couperin at Chaumes-en-Brie. In September, 2001, Baumont became professor of harpsichord at the Paris Conservatory. He is the author of a biography of François Couperin, has edited harpsichord works by Michel Corrette and Jacques Duphly, and has contributed scholarly articles to numerous musicological journals.

"Full marks to Olivier Baumont, … For whose spirited championship of this rare repertoire we should be most grateful. A revelatory disc." Lionel Salter, Gramophone.

BBC Music Magazine

January 2010

***

“Lightweight early Classical music by native Russian composers and Italian visitors. Worth hearing for its arcane repertoire, English Shudi and Broadwood harpsichords.”

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