Mouton: Missa Dictes moy toutes voz pensées

Gimell: CDGIM047

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Mouton: Missa Dictes moy toutes voz pensées


Gramophone Awards 2013

Finalist - Early Music



Catalogue No:




Release date:

1st Oct 2012




67 minutes


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Mouton: Missa Dictes moy toutes voz pensées


Dictes moy toutes voz pensées

Mouton, J:

Missa Dictes moy toutes voz pensées

Quis dabit oculis?

Ave Maria … benedicta tu

Salva nos, Domine

Ave Maria ...Virgo Serena

Nesciens Mater



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"Jean Mouton was routinely compared in his lifetime with Josquin on account of his astonishing compositional technique yet his music is quite distinct. He is able to convey such a spirit of calm and poise that in the whole of Renaissance art it is really only rivalled by the altar-pieces of Giovanni Bellini and Hans Memling."

Peter Phillips

Loyset Compère: Dictes moy toutes voz pensées

Dictes moy toutes voz pensées

Jean Mouton: Missa Dictes moy toutes voz pensées:




Sanctus & Benedictus

Agnus Dei I, II, & III

Jean Mouton: Quis dabit oculis? (Lament for Anna)

Quis dabit oculis? (Lament for Anna)

Jean Mouton: Ave Maria ... benedicta tu

Ave Maria ... benedicta tu

Jean Mouton: Salva nos, Domine

Salva nos, Domine

Jean Mouton: Ave Maria ... virgo serena

Ave Maria ... virgo serena

Jean Mouton: Nesciens mater

Nesciens mater

Gramophone Magazine

Awards Issue 2012

“an admirably rounded view of Mouton.”

BBC Music Magazine

November 2012


“outstanding realisations of Mouton's wonderful music...clarity is achieved notwithstanding his mathematical methods, and it's a quality that's brought out superbly by the Tallis Scholars and by the excellent recording, providing both sharp focus and a sense of spaciousness and depth.”

Early Music Today


“Jean Mouton deserves more recognition, and in this new recording Peter Phillips puts forward a very strong case. The beauty of the mass belies its cleverness in dissecting and reusing each line of Compère’s original chanson, yet despite such intricate mechanisms, Mouton’s music is as warm and intimate as the performance. The Tallis Scholars sound wonderfully rich in this ‘men’s voice’ scoring and the ‘Agnus Dei II’ for three basses is particularly spectacular...Like all Tallis Scholars’ recordings, this is essential listening.”

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