Gimell: GIMSE403

English Madrigals

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English Madrigals

0755138140325

GIMSE403

English Madrigals


Bennet:

All creatures now are merry-minded

Byrd:

Though Amaryllis dance in green

Farnaby:

Carters, now cast down

Gibbons, O:

Ah, dear heart

The Silver Swan

Morley:

Hark! Alleluia

Phyllis, I fain would die now

Ramsey:

Sleep, fleshy birth

Tomkins:

Woe is me that I am constrained

When David Heard

Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk, on July 18th, 19th and 20th, 1988

Then David mourned

Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk, on July 18th, 19th and 20th, 1988

Almighty God, the fountain of all wisdom

Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk, on July 18th, 19th and 20th, 1988

Woe is me that I am constrained

Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk, on July 18th, 19th and 20th, 1988

Be strong and of a good courage

Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk, on July 18th, 19th and 20th, 1988

O sing unto the Lord a new song

Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk, on July 18th, 19th and 20th, 1988

O God, the proud are risen against me

Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk, on July 18th, 19th and 20th, 1988

Vautor:

Cruel Madame

Weelkes:

Hark All Ye Lovely Saints

Wilbye:

Draw on, sweet night


The Tallis Scholars, Peter Phillips (director)

This unique album, the only recording by The Tallis Scholars of English Madrigals and their first-ever digital recording, was made in the Great Hall at Deene Park, Northamptonshire, on April 23rd, 24th and 25th, 1982

“Originally released on the Classics for Pleasure label, the issuing of this CD will mark the first time these tracks have been commercially available for over 20 years. The twelve madrigals presented here were deliberately chosen to show off the scope of the best English madrigal writing around the year 1600. Do I regret not having done more of this repertoire in the intervening years? I would, if there hadn’t been so much first-rate sacred music to explore.” Peter Phillips

Gimell - GIMSE403

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