Petrus Wilhelm de Grudencz: 15th-century music from Central Europe

Glossa: GCD922515

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Petrus Wilhelm de Grudencz: 15th-century music from Central Europe



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Release date:

18th Nov 2016




64 minutes


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Petrus Wilhelm de Grudencz: 15th-century music from Central Europe


Domine ad adiuvandum me festina

Veni, da gaudiorum, Veni

Ave mater summi nati

Virginem mire pulchritudins

Resurgente domino

Ave Mater o Maria

Mit ganczem Willen

Der Winter will hin weichen

Christus...vinctos...Christus ... Mala

Ex trinitatis culmine


Predulcis eurus turbinis

Pneuma, Veni, Paraclito, Dator

Kyrie: Fons bonitatis

Probleumata enigmatum

Plaude euge theotocos

Psalteriis et timpanis

Promitat eterno

Psalmodium exileratum



Opilionis de Jawor:




Historigraphi aciem mentis



O gloriosa regina mundi

La Morra, Corina Marti & Michal Gondko



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The release of a new recording from La Morra is always exciting in terms of creative and imaginative artistry and not just within the realms of late medieval and early Renaissance music. With a disc focusing on the 15th-century composer Petrus Wilhelmi de Grudencz, in a production from the Schola Cantorum Basiliensis strand on Glossa, the ensemble is set to repeat its happy knack of alighting upon an area of largely untravelled repertoire and making a fascinating programme from it.

Wilhelmi was what can be called a Central-European composer: born in today’s Poland he was active in German, Bohemian and Silesian territory, a musician from within the Holy Roman Empire, and open to new trends coming from the West and South. Without being a cultural force to rival his near contemporary Guillaume Dufay, Wilhelmi provided music which had a long-lasting appeal for the learned, non-professional musicians in Central-European lands. Corina Marti and Michal Gondko, the Swiss ensemble’s joint artistic directors since its formation back in 2000, add their skills as instrumentalists (keyboard, recorders and lute) to those of their quartet of singers in a survey which also embraces further Latin and secular-texted compositions by Nicolaus de Radom, Johannes Tourout and Othmarus Opilionis de Jawor, further examples of how Central European composers were absorbing ideas coming from the Franco-Flemish tradition, Italy and the Ars Nova from France.

Anonymous: Domine ad adiuvandum me festina

Domine ad adiuvandum me festina

Petrus Wilhelmi de Grudencz: Predulcis eurus

Predulcis eurus

Anonymous: Veni / Da gaudiorum / Veni

Veni - Da gaudiorum - Veni

Petrus Wilhelmi de Grudencz: Veni vere - Pneuma eucaristiarum - Paraclito tripudia - Dator eya graciarum

Pneuma - Veni - Paraclito - Dator

Mikolaj Radomski: Ballade


Johannes Holandrinus: Virelai


Othmar Opilionis: Rondeau


Mikolaj Radomski: Hystorigraphi, aciem

Hystorigraphi, aciem

Petrus Wilhelmi de Grudencz: Kyrie Fons bonitatis

Kyrie fons bonitatis

Anonymous: Ave mater summi nati

Ave mater summi nati

Anonymous: Virginem mire pulchritudinis

Virginem mire pulchritudinis

Anonymous: Resurgente Domino

Resurgente Domino

Anonymous: Ave Mater o Maria [Bologna Biblioteca Universitaria, 2216]

Ave Mater o Maria

Anonymous: Unde gaudent / Eya, Eya / Nostra iocunda

Unde gaudent - Eya, eya - Nostra iocunda

Petrus Wilhelmi de Grudencz: Probleumata enigmatum

Probleumata enigmatum

Johannes Touront: O gloriosa regina mundi

O gloriosa regina mundi

Anonymous: Mit ganczym willin - Der winter der wil weychen

Mit ganczem Willem - Der winter der wil weychen

Petrus Wilhelmi de Grudencz: Plaude euge Theotocos

Plaude euge theotocos

Petrus Wilhelmi de Grudencz: Psalteriis et timpanis

Psalteriis et timpanis

Petrus Wilhelmi de Grudencz: Promitat eterno

Promitat eterno

Petrus Wilhelmi de Grudencz: Psalmodium exileratum

Psalmodium exileratum

Mikolaj Radomski: Alleluya


Anonymous: Christus … vinctos / Chorus nove / Christus … mala

Christus... Vinctos - Chorus nove - Christus... Mala

Anonymous: Ex trinitatis culmine

Ex trinitatis culmine

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