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Gerhard Frommel rejected pre-war Nationalism and Schoenberg’s dodecaphony, finding his voice in individuality and tradition. His piano sonatas are rooted in Romanticism and allied to the expressive plasticity of Stravinsky and Hindemith, articulated with vitality and tenderness in No. 1, sparseness and clownish grotesquerie in No. 2, and the sensual impressionism of No. 3.
Gerhard Frommel: Piano Sonata No. 3 in E major, Op. 15, "Sisina"
Piano Sonata No. 3 in E major, Op. 15, "Sisina"
Gerhard Frommel: Piano Sonata No. 2 in F major, Op. 10
II. Andante cantabile
Gerhard Frommel: Piano Sonata No. 1 in F sharp minor, Op. 6
I. Allegro moderato, poco rubato
II. Langsam und traumerisch
III. Finale: Allegro giocoso
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