Bach, J S: Partitas Nos. 1-6, BWV825-830

Hänssler: HAEN92115

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Bach, J S: Partitas Nos. 1-6, BWV825-830

Awards:

Gramophone Awards 2001

Best of Category - Baroque Instrumental

Label:

Hänssler

Catalogue No:

HAEN92115
(CD 92.115)

Discs:

2

Barcode:

4010276016151

Length:

2 hours 29 minutes

Medium:

CD (download also available)
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Bach, J S: Partitas Nos. 1-6, BWV825-830


Trevor Pinnock (harpsichord)

CD - 2 discs

$22.75

(also available to download from $21.00)

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Johann Sebastian Bach: Partita No. 1 in B flat major, BWV 825

playI. Prelude

playII. Allemande

playIII. Corrente

playIV. Sarabande

playV. Menuet 1 and 2

playVI. Gigue

Johann Sebastian Bach: Partita No. 2 in C minor, BWV 826

playI. Sinfonia

playII. Allemande

playIII. Courante

playIV. Sarabande

playV. Rondo

playVI. Capriccio

Johann Sebastian Bach: Partita No. 6 in E minor, BWV 830

playI. Toccata

playII. Allemande

playIII. Corrente

playIV. Air

playV. Sarabande

playVI. Tempo di Gavotta

playVII. Gigue

Johann Sebastian Bach: Partita No. 3 in A minor, BWV 827

playI. Fantasia

playII. Allemande

playIII. Corrente

playIV. Sarabande

playV. Burlesca

playVI. Scherzo

playVII. Gigue

Johann Sebastian Bach: Partita No. 4 in D major, BWV 828

playI. Overture

playII. Allemande

playIII. Courante

playIV. Aria

playV. Sarabande

playVI. Menuet

playVII. Gigue

Johann Sebastian Bach: Partita No. 5 in G major, BWV 829

playI. Prelude

playII. Allemande

playIII. Corrente

playIV. Sarabande

playV. Tempo di Minuetta

playVI. Passepied

playVII. Gigue

Gramophone Classical Music Guide

2010

“The six Partitas are virtually a compendium of Bach's keyboard styles, with toccatas and French overtures, fugues and fantasies and all manner of dances. Trevor Pinnock rises to a new level of mastery in his new recording of them. We all know about the brilliance of his fingerwork and his beautifully sprung, ebullient rhythms; but here he goes further, showing a true grandeur of manner that embraces Bach at his most serious and pensive, his most learned, and – above all – his most vividly rhetorical.
Pinnock takes his time over the music: these are measured readings of the partitas, thought through, viewed whole. The natural and spontaneous musicianship of old is still there, but now it's given extra depth and meaning through the carefully judged articulation, JS Bach Instrumental the tiny moments of hesitation, all within a fluent larger rhythm, that lend extra point and shape to a phrase, a group of phrases, an entire musical paragraph.
The warm, rather resonant recording beautifully captures the rich sound of his instrument – a David Way copy from 1983 of a Hemsch original – as well as the detail of his playing. There could hardly have been a happier return to the recording studio for Pinnock than this fine set.”

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