Harmonia Mundi: HMC901829/30

Haydn - The Seasons (CD)

Haydn's The Seasons is a two-hour vocal work that praises God and nature and orchestrally imitates croaking frogs and lambs that gambol. It could easily seem slightly out of kilter with the times in which we live, but its proto-ecological message has perhaps never been more relevant, its sublimely fresh and vernal musical language a painful reminder of lost environmental innocence.

And this recording of the piece is notably successful in communicating that message. Beautifully conducted by René Jacobs, it offers elasticity of rhythm and a bright alfresco atmosphere. The three soloists have just the right plenitude of tone and timbre (as in Summer, their mellifluous hymn to the sun) while the RIAS Kammerchor's singing combines technical precision with a striking ease of utterance (the closing chorus of Spring is typical of their outstanding contribution).

This is a fresh and articulate Seasons for an era that most definitely needs it.

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Haydn - The Seasons (CD)

0794881751624

HMC901829/30

Haydn - The Seasons (CD)


Haydn:

The Seasons


Marlis Petersen (soprano), Werner Güra (tenor) & Dietrich Henschel (baritone)

RIAS Kammerchor & Freiburger Barockorchester, René Jacobs

“The work here sounds like a grand summing-up of Haydn's whole creative life… delivered in demonstration quality sound and with a pace and excitement which continue unabated until the final, uplifting 'Amen'.” BBC Music Magazine, June 2008

GGramophone Awards 2005

Record of the Year Finalist

GGramophone Magazine

Editor's Choice - Awards Issue 2004

Building a Library

First Choice - March 2008

Harmonia Mundi - HMC901829/30

(CD - 2 discs)

£19.99 (£17.01 ex. VAT)

In stock - usually despatched within 1 working day.

For more recordings of this work, click here.

Press comments:

"It would be hard to imagine a more joyful account of Haydn’s culminating masterpiece. René Jacobs and his outstanding team perfectly capture the exuberance with which the composer seemed to be defying the years. Infectious rhythms bring out the fun of The Seasons from the start, and when in Simon’s first aria Haydn quotes from the slow movement of the Surprise Symphony, Jacobs nudges the music persuasively. And in the final chorus of ‘Summer’, the lowing cattle and quail’s cry, and chirping crickets and croaking frogs, sound witty, not naive." Edward Greenfield - Gramophone Magazine

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