Canciones españolas

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With her Slovenian (ie central European) parentage and Buenos Aires upbringing, Bernard Fink is ideally paced to dip one performing toe in each of the classical and linguistic/folkloric streams... — Gramophone Magazine, February 2013 More…

Release Date: 5th Nov 2012
Catalogue No: HMC902133
Label: Harmonia Mundi
Length: 65 minutes

Gramophone Magazine

February 2013

Editor's Choice

Excerpt, Falla: Siete Canciones populares españolas

Work length5:06

$3.00

$3.75

$4.35

I. El paño moruno

Track length1:22

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II. Seguidilla murciana

Track length1:27

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III. Asturiana

Track length2:17

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Falla: Siete Canciones populares

Work length3:09

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IV. Jota

Track length3:09

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Excerpt, Falla: Siete Canciones populares españolas

Work length4:15

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V. Nana

Track length1:34

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VI. Canción

Track length1:07

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VII. Polo

Track length1:34

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Rodrigo: Tres canciones españolas

Work length4:35

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I. Adela

Track length2:10

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II. En Jerez de la Frontera

Track length1:29

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III. De ronda

Track length0:56

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Excerpt, Granados: Tonadillas

Work length13:30

$7.00

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I. Amor y odio

Track length3:09

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II. Callejeo

Track length0:49

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III. El majo discreto

Track length1:38

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IV. El majo olvidado

Track length2:53

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V. El mirar de la maja

Track length2:55

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VI. El majo tímido

Track length0:57

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VII. El tra la la y el punteado

Track length1:09

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Rodrigo: Cuatro Canciones Sefardíes

Work length9:10

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I. Respóndenos

Track length2:55

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II. Una pastora yo amí

Track length1:53

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III. Nani, nani

Track length3:18

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IV. "Morena" me llaman

Track length1:04

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Falla: Trois Melodies

Work length6:56

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I. Les colombes

Track length2:16

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II. Chinoiserie

Track length2:22

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III. Séguidille

Track length2:18

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Rodrigo: Coplas del pastor enamorado

Work length3:18

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Rodrigo: Canción del cucú

Work length2:36

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Rodrigo: Fino cristal

Work length1:35

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Falla: El pan de Ronda que sabe a verdad

Work length1:22

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Falla: Tus ojillos negros

Work length4:07

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Rodrigo: Cuatro madrigales amatorios

Work length6:59

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I. ¿Con qué la lavaré?

Track length1:43

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II. Vos me matasteis

Track length1:59

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III. ¿De dónde venís, amore?

Track length1:07

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IV. De los álamos vengo, madre

Track length2:10

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About
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About

Written between 1902 and 1965, the canciones recorded here faithfully reflect both the evolution of Spanish art song in the 20th century and the attachment of its composers to France. Manuel de Falla’s famous Seven Spanish Folksongs are placed here alongside elegant little gems like the Three Spanish Songs and Four Sephardic Songs of Joaquín Rodrigo.

From the enchantments of Andalusia to the laments of León, this disc invites you on a journey through a Spain of dreams.

Born in Buenos Aires to Slovenian parents, Bernarda Fink studied at the Instituto Superior de Arte del Teatro Colón. She was recently heard in Mahler’s 'Resurrection' Symphony with the Berlin Philharmonic under the direction of Simon Rattle, works by Bach with Harnoncourt at the Vienna Musikverein and Mahler’s 'Kindertotenlieder' with the Nash Ensemble at the Wigmore Hall. She gives song recitals in the principal European and American musical centres and her recordings are regularly acclaimed by the international press.

Reviews

February 2013

With her Slovenian (ie central European) parentage and Buenos Aires upbringing, Bernard Fink is ideally paced to dip one performing toe in each of the classical and linguistic/folkloric streams of this music. Together with the pianism of Anthony Spiri - who clearly knows how to let his hair down...- she presents compelling versions of material which is not short of recorded competitors

February 2013

Here she [Fink] presents 33 songs, sung as always with impeccable vocal control and absolute understanding and enunciation of text and expressive intent … these canciones espanolas form a collection that falls most pleasantly on the ear

25th November 2012

Like de los Angeles and Berganza, Fink can adopt a variety of vocal “faces”, from ingénue to earthy, digging into her chest voice with an intensity that is both visceral and anguished. Fink is one of the song repertoire’s most complete polyglots...these performances are idiomatic and thrilling.

15th November 2012

she does wonderful things with Granados's Tonadillas and with those expansive Rodrigo melodies in which Moorish and Sephardic influences are strong. But she's too ladylike, in places, for Falla and the demotic carnality of his Siete Canciones Populares Españolas sounds affected rather than natural.

Canciones españolas

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