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Fauré: Impromptu #1 In E Flat, Op. 25
Fauré: Impromptu #2 In F Minor, Op. 31
Fauré: Impromptu #3 In A Flat, Op. 34
Fauré: Impromptu #4 In D Flat, Op. 91
Fauré: Impromptu #5 In F Sharp Minor, Op. 102
Fauré: Impromptu #6 In D Flat, Op. 86 Bis
Fauré: Thème Et Variations, Op. 73 - Theme
Fauré: Thème Et Variations, Op. 73 - Var. 1: L'Istesso Tempo
Fauré: Thème Et Variations, Op. 73 - Var. 2: Più Mosso
Fauré: Thème Et Variations, Op. 73 - Var. 3: Un Poco Più Mosso
Fauré: Thème Et Variations, Op. 73 - Var. 4: L'Istesso Tempo
Fauré: Thème Et Variations, Op. 73 - Var. 5: Un Poco Più Mosso
Fauré: Thème Et Variations, Op. 73 - Var. 6: Molto Adagio
Fauré: Thème Et Variations, Op. 73 - Var. 7: Allegro Moderato
Fauré: Thème Et Variations, Op. 73 - Var. 15: Andante Molto Moderato
Fauré: Thème Et Variations, Op. 73 - Var. 9: Quasi Adagio
Fauré: Thème Et Variations, Op. 73 - Var. 10: Allegro Vivo
Fauré: Thème Et Variations, Op. 73 - Var. 11: Andante Molto, Moderato Espressivo
Fauré: Romances Sans Paroles, Op. 17 - 1. Andante Quasi Allegretto
Fauré: Romances Sans Paroles, Op. 17 - 2. Allegro Molto
Fauré: Romances Sans Paroles, Op. 17 - 3. Andante Moderato
Fauré: Valse-Caprice #1 In A, Op. 30
Fauré: Valse-Caprice #2 In D Flat, Op. 38
Fauré: Valse-Caprice #3 In G Flat, Op. 59
Fauré: Valse-Caprice #4 In A Flat, Op. 62
Fauré: Nocturnes, Op. 33 - #1 in E Flat Minor
Fauré: Nocturnes, Op. 33 - #2 In B
Fauré: Nocturnes, Op. 33 - #3 In A Flat Minor
Fauré: Nocturne #4 In E Flat, Op. 36
Fauré: Nocturne #5 In B Flat, Op. 37
Fauré: Nocturne #6 In D Flat, Op. 63
Fauré: Nocturne #7 In C Sharp Minor, Op. 74
Messager: Souvenirs De Beyreuth
Fauré: Huit Pièces Brèves, Op. 84 - 1. Capriccio In E Flat
Fauré: Huit Pièces Brèves, Op. 84 - 2. Fantaisie In A Flat
Fauré: Huit Pièces Brèves, Op. 84 - 3. Fugue In A Minor
Fauré: Huit Pièces Brèves, Op. 84 - 4. Adagietto In E Minor
Fauré: Huit Pièces Brèves, Op. 84 - 5. Improvisation In C Sharp Minor
Fauré: Huit Pièces Brèves, Op. 84 - 6. Fugue In E Minor
Fauré: Huit Pièces Brèves, Op. 84 - 7. Allegresse In C
Fauré: Huit Pièces Brèves, Op. 84 - 8. Nocturne No 8 In D Flat
Fauré: Dolly, Op. 56 - 1. Berceuse
Fauré: Dolly, Op. 56 - 2. Mi-A-Ou
Fauré: Dolly, Op. 56 - 3. Le Jardin De Dolly
Fauré: Dolly, Op. 56 - 4. Kitty-Valse
Fauré: Dolly, Op. 56 - 5. Tendresse
Fauré: Dolly, Op. 56 - 6. Le Pas Espagnol
Fauré: Préludes, Op. 103 - #1 In D Flat
Fauré: Préludes, Op. 103 - #2 In C Sharp Minor
Fauré: Préludes, Op. 103 - #3 In G Minor
Fauré: Préludes, Op. 103 - #4 In F
Fauré: Préludes, Op. 103 - #5 In D Minor
Fauré: Préludes, Op. 103 - #6 In E Flat Minor
Fauré: Préludes, Op. 103 - #7 In A
Fauré: Préludes, Op. 103 - #8 In C Minor
Fauré: Préludes, Op. 103 - #9 In E Minor
Fauré: Mazurka In B Flat, Op. 32
Fauré: Huit Pièces Brèves, Op. 84 - Nocturne #8 In D Flat
Fauré: Nocturne #9 In B Minor, Op. 97
Fauré: Nocturne #10 In E Minor, Op. 99
Fauré: Nocturne #11 In F Sharp Minor, Op. 104/1
Fauré: Nocturne #12 In E Minor, Op. 107
Fauré: Nocturne #13 In B Minor, Op. 119
2010
“Fauré's piano works are among the most subtly daunting in all keyboard literature. Encompassing Fauré's entire creative life, they range through an early, finely wrought eroticism via sporting with an aerial virtuosity as teasing and light as the elements themselves (the Valsescaprices) to the final desolation of his last years. There, in his most powerful works ( Barcarolles Nos 7-11, Nocturnes Nos 11-13), he faithfully mirrors a pain that 'scintillates in full consciousness', a romantic agony prompted by increasing deafness and a lack of recognition that often seemed close to oblivion. Few compositions have reflected a darker night of the soul, and Fauré's anguish, expressed in both numbing resignation and unbridled anger, could surely only be exorcised by the articulation of such profound and disturbing emotional complexity. The task for the pianist, then, is immense, but in Kathryn Stott Fauré has a subtle and fearless champion. How thrilled Fauré would have been by the sheer immediacy of Stott's responses. Time and again she throws convention to the winds, and although it would be surprising if all her performances were consistent successes, disappointments are rare. Sometimes her rubato and luxuriant pedalling soften the outlines of Fauré's starkest, most austere utterances. But such quibbles remain quibbles. The Fourth Nocturne is gloriously supple, and the 13 Barcarolles show Stott acutely responsive to passion and finesse alike. The Pièces brèves, too, are played with rare affection. Stott proves herself a stylish and intriguing pianist.”
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Fauré: Impromptu #1 In E Flat, Op. 25
