Brahms - The Piano Quartets

“A delight from start to finish: this is such cultivated and characterized playing, which becomes quite exultant in the finale. It’s also beautifully recorded by Hyperion. Given that, this new set can take a well-earned place at the top of recommendations of these three works”

“The G minor Quartet (No 1) opens simply, with Hamelin shaping the line beautifully but unaffectedly, the Leopold players gradually entering, their playing filled with ardour. The Zigeuner-finale is irresistibly ebullient, with a jaw-dropping ending … the other aspect that is so impressive about these readings is the sense of absolute precision, which lightens the textures and keeps edges crisp … Hamelin and the Leopold get to the heart of the matter in the soulful Poco adagio and while they in no way lack heft when it’s needed, particularly in the opening movement, there’s always a dancing quality to their playing which does much to illuminate textures”

2010

“Brahms's three piano quartets sometimes exhibit this tendency but in performances as fine as these it is triumphantly surmounted with a combination of brisk speeds and an extraordinary collective joie de vivre.
The G minor Quartet (No 1) opens simply, with Hamelin shaping the line beautifully but unaffectedly, the Leopold players gradually entering, their playing filled with ardour. The Zigeuner-finale is irresistibly ebullient, with a jawdropping ending. The other aspect that is so impressive about these readings is the sense of absolute precision, which lightens the textures and keeps edges crisp. Sample, for instance, the Scherzo of the C minor (No 3) which can, in some hands, sound positively elephantine. Not here though, Hamelin dealing with Brahms's dense chords as easily as if they were single lines.
The epic A major Quartet (No 2), more a symphony than a quartet, is a considerable challenge to players and audience. Hamelin and the Leopold get to the heart of the matter in the soulful Poco adagio and while they in no way lack heft when it's needed, particularly in the opening movement, there's always a dancing quality to their playing which does much to illuminate textures. This music certainly benefits from their defiantly un-Germanic approach.
Hamelin signs off with the Op 117 Intermezzi, as well recorded as the rest of the disc. They're elegantly played, but the main reason for buying this CD lies firmly with the quartets.”