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2010
“Chabrier's name lives on primarily through España and Marche joyeuse. His tiny output for piano is far too rarely encountered in the concert hall or on recordings, yet he is a delightful, self-contained original. From his total of a mere 26 titles, Angela Hewitt plays 18 on this little gem of a disc. It sounds as though the piano was recorded in some deserted fin de siècle spa hotel – and so it proves, for Hewitt's richly coloured Fazioli was captured in 'Das Kulturzentrum Grand Hotel, Dobbiaco, Italy'. In fact, whenever there is an exposed soft passage in the upper treble in this programme, the same atmospheric effect engages the ear momentarily; in the more robust items, it is hardly noticeable. As to Hewitt's performances, they are as affectionate, warm, lyrical and charming as one could wish, underlining but not exaggerating Chabrier's deliciously predictable unpredictability.”
March 2006
****
“The over-modestly titled Pièces pittoresques are really his Preludes, ten varied sound poems which search the soul and come up with not angst nor rage, but a unique combination of joy, vulnerability, and an excitable nature that verges on impatience. Hewitt... is at her best here, teasing out the yearning harmonies and shy cadences with a persuasive rubato.”
April 2006
“…Hewitt's performances… are as affectionate, warm, lyrical and charming as one could wish, underlining but not exaggerating Chabrier's deliciously predictable unpredictability.”
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