Monteverdi - Vespers

Hyperion: CDA67531/2

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Monteverdi - Vespers

Awards:

Gramophone Magazine

Editor's Choice - June 2006

Building a Library

First Choice - April 2007

Building a Library

First Choice - December 2010

Label:

Hyperion

Catalogue No:

CDA67531/2

Discs:

2

Release date:

2nd May 2006

Barcode:

0034571175317

Medium:

CD

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Monteverdi - Vespers


Monteverdi:

Vespro della beata Vergine (1610)

Missa 'In illo tempore' (1610)


Carolyn Sampson, Rebecca Outram, Daniel Auchincloss & Nicholas Mulroy

The King’s Consort, Robert King

CD - 2 discs

Normally: $32.50

Special: $26.65

In stock - usually despatched within 1 working day.

A dazzling array of soloists join King - his choir and orchestra on top form - in presenting this new recording of a true masterpiece to the world: a project made possible by the generosity of all the many hundreds of people who donated to Hyperion’s appeal for recording funds in 2005.

Gramophone Magazine

June 2010

“More than any other version, this one sounds like its director has set out to enjoy himself and forget the musicological baggage. Gleefully choral and revelling in presenting the Vespers as a work of splendour, it benefits from some strong solo singing (notably from Charles Daniels and James Gilchrist)”

Gramophone Classical Music Guide

2010

“Despite four wonderful volumes of Monteverdi's sacred music from The King's Consort, nothing will prepare you for the ecstatic consequences of taking seriously at least one aspect of Monteverdi's so-called seconda pratica – using much freer counterpoint, with an increasing hierarchy of voices: that the word is mistress of the music. And what ecstasy! Never mind the majestic opening psalm: just listen to the eloquent gestures in the 'Dixit Dominus', which range from the declamatory to the reticent with astonishing flexibility. Or the freedom and delicacy of tenor James Gilchrist in the 'Nigra sum', equally matched by the fragile spaciousness of Caroline Sampson's and Rebecca Outram's 'Pulchra es'.
Spaciousness soon loses its fragility in the propulsive 'Nisi Dominus' and the 'Lauda Jerusalem' with its luxuriant finale. And although the 'Sonata sopra Sancta Maria' is still preferable with a solo soprano line, its instrumental variations are here dispatched with such fluency it's hard not to be won over; the 'Ave maris stella' is similarly eloquent.
The second disc includes equally superb performances of the alternative six-voice Magnificat and the Missa In illo tempore.
The cumulative effect here is of a dazzling chiaroscuro that Monteverdi surely would have recognised. With its use of full choir, King's recording has room to manoeuvre – which gives the imagination more room to take flight.”

Gramophone Magazine

June 2006

“The majesty and the ecstasy - King's forces are glorious in Monteverdi… Never mind the majestic opening psalm: just listen to the eloquent gestures in the 'Dixit Dominus', which range from the declamatory to the reticent with astonishing flexibility. Or the freedom and delicacy of tenor James Gilchrist in the 'Nigra sum', equally matched by the fragile spaciousness of Caroline Sampson's and Rebecca Outram's 'Pulchra es'.”

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