Hyperion: CDA67647

Rossini - Soirées musicales

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Rossini - Soirées musicales

Rossini - Soirées musicales


Rossini:

Soirées Musicales

L'esule

Mi lagnerò tacendo

La chanson du bébé

L'Orpheline du Tyrol (Ballade élégie)

Adieux à la vie! Elégie (sur une seule note)

Les Amants de Séville

La regata veneziana


Miah Persson (soprano), Stella Doufexis (soprano), Bruce Ford (tenor) & Roger Vignoles (piano)

Rossini, having composed no fewer than forty operas between the ages of nineteen and thirty-seven, wrote none in the next forty years. However these years were not barren of music. Rossini’s Soirées Musicales and Péchés de vieillesse or ‘Sins of old age’ were the musical fruits of salon evenings held weekly in his Parisian home. Elegant, witty, charming and often delicately ironic, these songs for various voices are the perfect exemplar of ‘salon music’, and of the unmistakable late style of a composer who had already become a legend in his lifetime. They are recorded here by three of the greatest singers of today: Stella Doufexis, who has appeared regularly in the Hyperion Schubert and Schumann songs editions; the wonderful Swedish soprano Miah Persson; and the American tenor and Rossini specialist Bruce Ford, all accompanied with characteristic brilliance and style by Roger Vignoles.

“With Roger Vignoles making much of Rossini's modest-looking piano parts, the three singers give virtually unalloyed pleasure. Bruce Ford, a seasoned Rossini stylist, excels in the melancholy La partenza and L'esule. Miah Persson is witty without archness in the infantile nonsense of La Chanson du bébé, while mezzo Stella Doufexis makes a spirited, sensuous Angelina ...as she gees on her gondolier lover in the delightful mini-song cycle La regata veneziana.” The Telegraph, 14th June 2008

“It is hard for any disc of Rossini’s Paris salon songs not to speed by in a wink of delight. And it’s impossible with Miah Persson’s bright soprano and the sensitive accompaniments of Roger Vignoles. The tenor Bruce Ford, so practised at trifles, isn’t far behind in glory. The mezzo Stella Doufexis occasionally thinks she’s singing opera, but the moments pass and we’re back with Rossini – never more charming than in the childish Chanson du bébé.” The Times, 30th May 2008 ****

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Hyperion - CDA67647

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