Bach, J S: The Well-Tempered Clavier, Books 1 & 2

Hyperion: CDA67741/4

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Bach, J S: The Well-Tempered Clavier, Books 1 & 2

Awards:

Gramophone Magazine

Editor's Choice - June 2009

Label:

Hyperion

Catalogue No:

CDA67741/4

Discs:

4

Release date:

30th March 2009

Barcode:

0034571177410

Medium:

CD
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Bach, J S: The Well-Tempered Clavier, Books 1 & 2

New 2008 recording


Angela Hewitt (piano)

CD - 4 discs

$53.25

In stock - usually despatched within 1 working day.

Ten years ago Angela Hewitt recorded a version of The Well-Tempered Clavier Book I which dazzled the critical world and record-buying public. It was followed shortly afterwards by Book II which was similarly received. Now, fresh from her Bach World Tour—in which she performed the complete Well-Tempered Clavier from August 2007 until the end of October 2008 in 58 cities in 21 countries on six continents—Angela has made an entirely new recording of this most iconic of keyboard works.

In a revealing and personal programme note, Angela explains her reasons, both artistic and emotional, for this momentous creative decision. She speaks of the ‘new-found freedom’ that she discovered in her later performances, and especially her use of Fazioli pianos, ‘whose luminous, powerful, and also ever so delicate sounds opened new worlds to me and allowed my imagination to take flight’.

This is an unmissable new release.

playBach: The Well-Tempered Clavier, Book 1 - Prelude #1 In C, BWV 846

playBach: The Well-Tempered Clavier, Book 1 - Fugue #1 In C, BWV 846

playBach: The Well-Tempered Clavier, Book 1 - Prelude #2 In C Minor, BWV 847

playBach: The Well-Tempered Clavier, Book 1 - Fugue #2 In C Minor, BWV 847

playBach: The Well-Tempered Clavier, Book 1 - Prelude #3 In C Sharp, BWV 848

playBach: The Well-Tempered Clavier, Book 1 - Fugue #3 In C Sharp, BWV 848

playBach: The Well-Tempered Clavier, Book 1 - Prelude #4 In C Sharp Minor, BWV 849

playBach: The Well-Tempered Clavier, Book 1 - Fugue #4 In C Sharp Minor, BWV 849

playBach: The Well-Tempered Clavier, Book 1 - Prelude #5 In D, BWV 850

playBach: The Well-Tempered Clavier, Book 1 - Fugue #5 In D, BWV 850

playBach: The Well-Tempered Clavier, Book 1 - Prelude #6 In D Minor, BWV 851

playBach: The Well-Tempered Clavier, Book 1 - Fugue #6 In D Minor, BWV 851

playBach: The Well-Tempered Clavier, Book 1 - Prelude #7 In E Flat, BWV 852

playBach: The Well-Tempered Clavier, Book 1 - Fugue #7 In E Flat, BWV 852

playBach: The Well-Tempered Clavier, Book 1 - Prelude #8 In E Flat Minor, BWV 853

playBach: The Well-Tempered Clavier, Book 1 - Fugue #8 In D Sharp Minor, BWV 853

playBach: The Well-Tempered Clavier, Book 1 - Prelude #9 In E, BWV 854

playBach: The Well-Tempered Clavier, Book 1 - Fugue #9 In E, BWV 854

playBach: The Well-Tempered Clavier, Book 1 - Prelude #10 In E Minor, BWV 855

playBach: The Well-Tempered Clavier, Book 1 - Fugue #10 In E Minor, BWV 855

playBach: The Well-Tempered Clavier, Book 1 - Prelude #11 In F, BWV 856

playBach: The Well-Tempered Clavier, Book 1 - Fugue #11 In F, BWV 856

playBach: The Well-Tempered Clavier, Book 1 - Prelude #12 In F Minor, BWV 857

playBach: The Well-Tempered Clavier, Book 1 - Fugue #12 In F Minor, BWV 857

playBach: The Well-Tempered Clavier, Book 1 - Prelude #13 In F Sharp, BWV 858

playBach: The Well-Tempered Clavier, Book 1 - Fugue #13 In F Sharp, BWV 858

playBach: The Well-Tempered Clavier, Book 1 - Prelude #14 In F Sharp Minor, BWV 859

playBach: The Well-Tempered Clavier, Book 1 - Fugue #14 In F Sharp Minor, BWV 859

playBach: The Well-Tempered Clavier, Book 1 - Prelude #15 In G, BWV 860

playBach: The Well-Tempered Clavier, Book 1 - Fugue #15 In G, BWV 860

playBach: The Well-Tempered Clavier, Book 1 - Prelude #16 In G Minor, BWV 861

playBach: The Well-Tempered Clavier, Book 1 - Fugue #16 In G Minor, BWV 861

playBach: The Well-Tempered Clavier, Book 1 - Prelude #17 In A Flat, BWV 862

playBach: The Well-Tempered Clavier, Book 1 - Fugue #17 In A Flat, BWV 862

playBach: The Well-Tempered Clavier, Book 1 - Prelude #18 In G Sharp Minor, BWV 863

playBach: The Well-Tempered Clavier, Book 1 - Fugue #18 In G Sharp Minor, BWV 863

playBach: The Well-Tempered Clavier, Book 1 - Prelude #19 In A, BWV 864

playBach: The Well-Tempered Clavier, Book 1 - Fugue #19 In A, BWV 864

playBach: The Well-Tempered Clavier, Book 1 - Prelude #20 In A Minor, BWV 865

playBach: The Well-Tempered Clavier, Book 1 - Fugue #20 In A Minor, BWV 865

playBach: The Well-Tempered Clavier, Book 1 - Prelude #21 In B Flat, BWV 866

playBach: The Well-Tempered Clavier, Book 1 - Fugue #21 In B Flat, BWV 866

playBach: The Well-Tempered Clavier, Book 1 - Prelude #22 In B Flat Minor, BWV 867

playBach: The Well-Tempered Clavier, Book 1 - Fugue #22 In B Flat Minor, BWV 867

playBach: The Well-Tempered Clavier, Book 1 - Prelude #23 In B, BWV 868

playBach: The Well-Tempered Clavier, Book 1 - Fugue #23 In B, BWV 868

playBach: The Well-Tempered Clavier, Book 1 - Prelude #24 In B Minor, BWV 869

playBach: The Well-Tempered Clavier, Book 1 - Fugue #24 In B Minor, BWV 869

playBach: The Well-Tempered Clavier, Book 2 - Prelude #1 In C, BWV 870

playBach: The Well-Tempered Clavier, Book 2 - Fugue #1 In C, BWV 870

playBach: The Well-Tempered Clavier, Book 2 - Prelude #2 In C Minor, BWV 871

playBach: The Well-Tempered Clavier, Book 2 - Fugue #2 In C Minor, BWV 871

playBach: The Well-Tempered Clavier, Book 2 - Prelude #3 In C Sharp, BWV 872

playBach: The Well-Tempered Clavier, Book 2 - Fugue #3 In C Sharp, BWV 872

playBach: The Well-Tempered Clavier, Book 2 - Prelude #4 In C Sharp Minor, BWV 873

playBach: The Well-Tempered Clavier, Book 2 - Fugue #4 In C Sharp Minor, BWV 873

playBach: The Well-Tempered Clavier, Book 2 - Prelude #5 In D, BWV 874

playBach: The Well-Tempered Clavier, Book 2 - Fugue #5 In D, BWV 874

playBach: The Well-Tempered Clavier, Book 2 - Prelude #6 In D Minor, BWV 875

playBach: The Well-Tempered Clavier, Book 2 - Fugue #6 In D Minor, BWV 875

playBach: The Well-Tempered Clavier, Book 2 - Prelude #7 In E Flat, BWV 876

playBach: The Well-Tempered Clavier, Book 2 - Fugue #7 In E Flat, BWV 876

playBach: The Well-Tempered Clavier, Book 2 - Prelude #8 In D Sharp Minor, BWV 877

playBach: The Well-Tempered Clavier, Book 2 - Fugue #8 In D Sharp Minor, BWV 877

playBach: The Well-Tempered Clavier, Book 2 - Prelude #9 In E, BWV 878

playBach: The Well-Tempered Clavier, Book 2 - Fugue #9 In E, BWV 878

playBach: The Well-Tempered Clavier, Book 2 - Prelude #10 In E Minor, BWV 879

playBach: The Well-Tempered Clavier, Book 2 - Fugue #10 In E Minor, BWV 879

playBach: The Well-Tempered Clavier, Book 2 - Prelude #11 In F, BWV 880

playBach: The Well-Tempered Clavier, Book 2 - Fugue #11 In F, BWV 880

playBach: The Well-Tempered Clavier, Book 2 - Prelude #12 In F Minor, BWV 881

playBach: The Well-Tempered Clavier, Book 2 - Fugue #12 In F Minor, BWV 881

playBach: The Well-Tempered Clavier, Book 2 - Prelude #13 In F Sharp, BWV 882

playBach: The Well-Tempered Clavier, Book 2 - Fugue #13 In F Sharp, BWV 882

playBach: The Well-Tempered Clavier, Book 2 - Prelude #14 In F Sharp Minor, BWV 883

playBach: The Well-Tempered Clavier, Book 2 - Fugue #14 In F Sharp Minor, BWV 883

playBach: The Well-Tempered Clavier, Book 2 - Prelude #15 In G, BWV 884

playBach: The Well-Tempered Clavier, Book 2 - Fugue #15 In G, BWV 884

playBach: The Well-Tempered Clavier, Book 2 - Prelude #16 In G Minor, BWV 885

playBach: The Well-Tempered Clavier, Book 2 - Fugue #16 In G Minor, BWV 885

playBach: The Well-Tempered Clavier, Book 2 - Prelude #17 In A Flat, BWV 886

playBach: The Well-Tempered Clavier, Book 2 - Fugue #17 In A Flat, BWV 886

playBach: The Well-Tempered Clavier, Book 2 - Prelude #18 In G Sharp Minor, BWV 887

playBach: The Well-Tempered Clavier, Book 2 - Fugue #18 In G Sharp Minor, BWV 887

playBach: The Well-Tempered Clavier, Book 2 - Prelude #19 In A, BWV 888

playBach: The Well-Tempered Clavier, Book 2 - Fugue #19 In A, BWV 888

playBach: The Well-Tempered Clavier, Book 2 - Prelude #20 In A Minor, BWV 889

playBach: The Well-Tempered Clavier, Book 2 - Fugue #20 In A Minor, BWV 889

playBach: The Well-Tempered Clavier, Book 2 - Prelude #21 In B Flat, BWV 890

playBach: The Well-Tempered Clavier, Book 2 - Fugue #21 In B Flat, BWV 890

playBach: The Well-Tempered Clavier, Book 2 - Prelude #22 In B Flat Minor, BWV 891

playBach: The Well-Tempered Clavier, Book 2 - Fugue #22 In B Flat Minor, BWV 891

playBach: The Well-Tempered Clavier, Book 2 - Prelude #23 In B, BWV 892

playBach: The Well-Tempered Clavier, Book 2 - Fugue #23 In B, BWV 892

playBach: The Well-Tempered Clavier, Book 2 - Prelude #24 In B Minor, BWV 893

playBach: The Well-Tempered Clavier, Book 2 - Fugue #24 In B Minor, BWV 893

BBC Music Magazine

April 2009

*****

“Hewitt…take full advantage of the piano's potential, including its middle (sostenuto) pedal; for that mighty tonic pedal below the final harmonies of Fugue in A minor. Her quiet sustained tone is as silky and restrained as a clavichord; the opening of the first Prelude is breathtaking, creating a sense of embarking on a sustained pilgrimage throughout the whole set.”

Gramophone Magazine

June 2009

“Listening to Angela Hewitt's latest thoughts on Bach's Well-Tempered Clavier alongside her late-1990s Hyperion cycle (11/98, 7/99), it appears that her interpretations haven't changed so much as evolved, intensified and, most important, internalised. Perhaps one could pigeonhole Hewitt I as characterised by dance, while Hewitt II mainly celebrates song. While both versions hold equal validity and stature, Hewitt's remake ultimately digs deeper, with more personalised poetry.”

Sunday Times

3rd May 2009

*****

“As ever with Hewitt, the joie de vivre she finds in this music remains exhilarating. Even if you own her old set, this new one cries out to be heard.”

The Guardian

17th April 2009

*****

“What shines through her playing most of all is a sovereign control of touch, texture and dynamic, so that every line is perfectly characterised and distinct. This is by no means the only approach to playing Bach's masterpiece on a piano, as the historic, equally valid recordings by artists as contrasting as Edwin Fischer, Glenn Gould and Sviatoslav Richter demonstrate, but it's a measure of Hewitt's achievement that she invites comparison with pianists as great as those.”

The Telegraph

16th April 2009

*****

“Angela Hewitt's Bach has long been a thing of wonder...Her palette of colours is judiciously chosen, her variety of touch and dynamics gauged so that each prelude and fugue has a character of its own and contributes something special to Bach's iridescent kaleidoscope of musical invention.”

The Observer

“Fresh from her Bach World Tour - in which she performed the work in 58 cities in 21 countries on six continents - she has gone back into the studio (actually the Jesus-Christus-Kirche, Berlin) and made a new recording of this landmark work for keyboard...The result is a precious document, which draws upon her development as a person and a performer over the past 10 years. Playing of this ease and assurance rarely has such a profound understanding of the material. This is no mechanical journey through the cycle of keys. This is life itself.”

The Times

27th March 2009

*****

“The 2009 Hewitt — protean, humane, modern but respectful, beautifully recorded — was the version to live with. It would even sound good, I’m sure, on the BBC’s desert island.”

Gramophone Classical Music Guide

2010

“Listening to Angela Hewitt's latest thoughts on Bach's Well-Tempered Clavier alongside her late- 1990s Hyperion cycle (reviewed below), it appears that her interpretations haven't changed so much as evolved, intensified and, most important, internalised. This perception is enhanced by a closer sonic image, plus the leaner, more timbrally diverse qualities of Hewitt's Fazioli concert grand that contrast with her earlier recording's mellower, more uniform Steinway. Yet one readily credits Hewitt's pianistic prowess for more acutely differentiated legato and detached articulation this time around, together with a wider range of melodic inflection. This adds considerable textural dimension to fugues whose close counterpoint is extremely difficult to voice and clarify.
Hewitt's uncommonly brisk and elegantly poised G sharp minor Book 2 Fugue has acquired conversational light and shade. Rubati hinted at earlier re-emerge in fuller, more purposeful bloom: compare both readings of the E flat major Book 1 Prelude and the E major Book 2 Fugue, for example. Perhaps one could pigeonhole Hewitt I as characterised by dance, while Hewitt II mainly celebrates song. While both versions hold equal validity and stature, Hewitt's remake ultimately digs deeper, with more personalised poetry. Perhaps she'll revisit the Goldberg Variations next?”

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