Clemens non Papa: Requiem & Penitential Motets

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The disc opens with his subdued Requiem Mass. Many groups would have tackled this with exaggerated dynamics, squeeze-boxing every phrase for maximum impact. Here, though, we get absolute calm,... — BBC Music Magazine, February 2011, 4 out of 5 stars More…

Release Date: 4th Jan 2011
Catalogue No: CDA67848
Label: Hyperion
Length: 72 minutes

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Clemens: Missa pro defunctis 'Requiem'

Work length20:36

$7.70

$8.75

The Brabant Ensemble
Stephen Rice

I. Introitus

Track length4:24

$1.10

$1.25

II. Kyrie

Track length1:56

$1.10

$1.25

III. Tractus

Track length2:42

$1.10

$1.25

IV. Offertorium

Track length4:30

$1.10

$1.25

V. Sanctus and Benedictus

Track length1:51

$1.10

$1.25

VI. Agnus Dei

Track length2:01

$1.10

$1.25

VII. Communio

Track length3:12

$1.10

$1.25

Clemens: Tristitia et anxietas

Work length10:02

$1.10

$1.85

The Brabant Ensemble
Stephen Rice

Clemens: Vae tibi Babylon et Syria

Work length4:59

$1.10

$1.25

The Brabant Ensemble
Stephen Rice

Clemens: Erravi sicut ovis a 5

Work length7:29

$1.10

$1.85

The Brabant Ensemble
Stephen Rice

Clemens: De profundis

Work length9:21

$1.10

$1.85

The Brabant Ensemble
Stephen Rice

Clemens: Vox in Rama

Work length4:16

$1.10

$1.25

The Brabant Ensemble
Stephen Rice

Clemens: Peccantem me quotidie

Work length8:41

$1.10

$1.85

The Brabant Ensemble
Stephen Rice

Clemens: Heu mihi, Domine

Work length7:23

$1.10

$1.85

The Brabant Ensemble
Stephen Rice

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The Brabant Ensemble under their director Stephen Rice presents music for the dark time of the year. Its latest disc of 16th-century polyphony features the extraordinary compositional gifts of Clemens non Papa, put to the service of the Requiem mass and a selection of motets on a pentitential theme. Within this general aspect of solemnity can be found countless shades of expression and emotion.

Despite the popularity of the composer’s music during his lifetime, Clemens is a somewhat marginal figure today and many of these motets have never been recorded before. Yet, listening to this music today, one is immediately enthralled by its opulence and harmonic lushness, very different from the occasionally sterile polyphony of some of the composer’s contemporaries. The Brabant Ensemble’s fresh, uncluttered and sincere performances truly bring this glorious music to life.

Reviews

February 2011

The disc opens with his subdued Requiem Mass. Many groups would have tackled this with exaggerated dynamics, squeeze-boxing every phrase for maximum impact. Here, though, we get absolute calm, good tuning and chordal singing that glows from within...the Ensemble does full justice to the brilliant Tristitia et anxietas, and the De Profundis is thrilling.

February 2011

The Brabant Ensemble grips immediately with the pure serenity of its immaculately tuned, perfectly balanced sound...the singers' sumptuous tone at full volume is overwhelming...These are no bored, deadpan monks. One senses everywhere excitement and pleasure in this underperformed repertoire.

March 2011

The Brabant Ensemble sing [the Requiem] with an admirable clarity, assisted by a very transparent acoustic and recorded sound image...Clemens and this recording are both worth hearing.

March 2011

The singing thorughout is as refined and expressive as one would wish from a small (11-12 voices) and relatively youthful ensemble, under the direction of an intelligent director for whom clarity of diction and mellifluousness of sound are of the utmost importance...this is another fine release by an ensemble...[who are] bringing before the public little-known repertoire, the worth of which it passionately believes in.

27th January 2011

the gravely beautiful requiem mass in four parts that's the main work on this Clemens disc is very contained and often rather understated, qualities that the Brabant Ensemble capture perfectly...the sound of the recording from Merton College Chapel, Oxford, is a little lacking in immediacy, though nicely seraphic.

3rd February 2011

his Requiem seems a plain and severe thing, especially in the beautiful but very restrained performance by this excellent young choir. Too restrained, I first thought, but on a second hearing the tiny expressive inflections became moving. Give these performances time and they’ll reward you richly.

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