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The colourful folk melodies and rhythms of Spain knit seamlessly with twentieth-century French compositional sophistication in Joaquín Turina’s chamber works. Born in Seville, Andalucia, the young composer went to study in Paris in 1905, where he was greatly attracted to the forward-looking style of the likes of Debussy—however, his musical course was altered when he encountered countrymen Falla and Albéniz, who encouraged him to write in a style that fully embraced his Andalucian musical heritage. Later in life the composer himself explained ‘my music is the expression of the feeling of a true Sevillian who did not know Seville until he left it’. The acclaimed Nash Ensemble here demonstrate what a satisfying artistic homecoming he made.
1. Crépuscule Du Soir: Allegretto Mosso; Serenata: Allegro
2. À La Fenêtre: Andantino Mosso
Turina: Piano Trio No. 1, Op. 35
1. Lento; Fugue (À L'Inverse); Allegro Moderato
2. Thème & Variations 1-5
3. Sonate: Allegro
Turina: La Oración Del Torero, Op. 34
La Oración Del Torero, Op. 34
4th March 2012
“Lawrence Power’s viola and Paul Watkins’s cello shine in, respectively, the Escena Andaluza and the songful tenor/bass melodies of the trio. It would be hard to imagine more compelling performances.”
“Congratulations are certainly in order to the Nash Ensemble and Hyperion for this excellent CD of chamber music by the admirable Andalusian composer...the performances throughout by these outstanding musicians, who are clearly wholly committed to Turina's music, are deeply impressive.”
“Bravo to the Nash Ensemble for championing these chamber works by Joaquin Turina...He could scarcely have imagined that one day an ensemble would produce an entire CD of his music but the Spanish traits by no means become wearing or predictable.”
“the Nash Ensemble's present collection includes some of his best works in [the chamber music] field, making this a highly recommendable disc for anyone who enjoys early 20th-century Spanish music. Everything here is performed with great warmth and a real sense of belief in the music - Marianne Thorsen and Ian Brown's eloquent and characterful account of the Sonata espagnola”
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