Respighi: Violin Sonatas & Pieces

Hyperion: CDA67930

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Respighi: Violin Sonatas & Pieces

Label:

Hyperion

Catalogue No:

CDA67930

Discs:

1

Release date:

3rd Sept 2012

Barcode:

0034571179308

Medium:

CD
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Respighi: Violin Sonatas & Pieces


Respighi:

Violin Sonata in D minor

Cinque Pezzi for Violin and Piano

Violin Sonata in B minor

Valse caressante: Tempo lento di Valzer (No. 4 of Sei Pezzi)

Serenata: Andante calmo (No. 5 of Sei Pezzi)


Tanja Becker-Bender (violin) & Péter Nagy (piano)

CD

$16.75

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Respighi’s orchestral music is loved for its lavish, operatic ‘fireworks’, its pomp and circumstance. This recording of his music for violin and piano demonstrates a more tender and intimate side to the composer, and also shows what a master he was of melody. Respighi had many influences from all over Europe and an enthusiasm for German music which perhaps explains the pleasing echoes of Brahms and Schumann among others. The sonatas, especially the later in B minor, are important works of nineteenth-century chamber music, and gems such as the Valse caressante and the Serenata are suffused with lyrical elegance which is perfectly carried off by the wonderful violinist Tanja Becker-Bender.

Respighi: Violin Sonata in D Minor

play1. Lento; Allegro; Assai Animato

play2. Adagio

play3. Scherzo: Allegretto

Respighi: Cinque Pezzi for Violin and Piano

play1 Romanza: Andante Mosso

play2 Aubade: Vivace

play3 Madrigale: Andantino

play4 Berceuse: Lentamente

play5 Humoresque: Allegretto Vivace

Respighi: Violin Sonata in B minor

play1. Moderato

play2. Andante Espressivo

play3. Passacaglia: Allegro Moderato Ma Energico

Respighi: Sei Pezzi

play4 Valse Caressante

play5 Serenata

Gramophone Magazine

Awards Issue 2012

“a revelatory programme, performed with rare panache.”

BBC Music Magazine

November 2012

****

“you're unlikely to find more sympathetic and committed performances than these: Tanja Becker-Bender's phrasing of Respighi's long lines and her range and subtlety of colour give both Sonatas every chance to make their mark. She is admirably partnered by Peter Nagy, who makes the best possible case for the B minor's sometimes ponderous piano writing.”

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