Spohr: Symphonies Nos. 7 & 9

Hyperion: CDA67939

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Spohr: Symphonies Nos. 7 & 9

Label:

Hyperion

Catalogue No:

CDA67939

Discs:

1

Release date:

27th Feb 2012

Barcode:

0034571179391

Medium:

CD
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Spohr: Symphonies Nos. 7 & 9


Spohr:

Symphony No. 9 in B minor, Op. 143 (The Seasons)

Symphony No. 7 in C major, Op. 121 'The Earthly and Divine in Human Life'

Introduzione in D major, WoO5

Festmarsch in D major, WoO3


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We talk of the nine symphonies of Beethoven and Bruckner but what about the ten of Spohr? Howard Shelley and the Orchestra della Svizzera Italiana conclude their survey of his symphonies with two that push the boundaries of the genre itself. Both Nos 7 and 9 are programmatic works, something that Spohr along with Berlioz did much to champion. In the Seventh, titled ‘The earthly and divine in human life’ and inspired by a holiday in Switzerland, he uses not one but two orchestras to great colouristic effect. His Ninth explores that perennial favourite theme of composers from Vivaldi to Glazunov, the Seasons (though Spohr starts with winter rather than spring). As if that were not enough, Howard Shelley also offers the premiere recordings of a brief, powerful Introduzione and a triumphant, at times almost Rossini-ish, Festmarsch.

Spohr: Symphony No. 9 In B Minor, Op. 143, "The Seasons"

playPart 1 - 1 Winter: Allegro Maestoso

playPart 1 - 2 Transition To Spring: L'Istesso Tempo

playPart 1 - 3 Spring: Moderato; Presto; Moderato

playPart 2 - 1 Summer: Largo

playPart 2 - 2 Introduction To Autumn: Allegro Vivace

playPart 2 - 3 Autumn: L'Istesso Tempo

Spohr: Symphony No. 7 In C, Op. 121

play1. The World Of Childhood: Adagio; Allegretto

play2. The Age Of Passion: Larghetto; Allegro Moderato

play3. Final Victory Of The Divine: Presto; Adagio

Spohr: Introduzione In D, WoO 5

playIntroduzione In D, WoO 5

Spohr: Festmarsch In D, WoO 3

playFestmarsch In D, WoO 3

The Guardian

1st March 2012

***

“The music itself is pleasant enough, if unremarkable, sometimes echoing Beethoven (the Pastoral Symphony especially in the Ninth), and showing affinities with Mendelssohn and Schumann elsewhere; the performances are first rate, and the solo horn playing is glorious.”

Gramophone Magazine

May 2012

“[Shelley] is at his most sympathetic in Autumn, at home in its atmosphere of hunting and social camaraderie”

BBC Music Magazine

May 2012

****

“The performances, like the pieces themselves, are a shade laid-back, but their lack of urgency never seriously detracts from the attractive qualities of this music.”

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