Britten: A Ceremony of Carols & St Nicolas

Hyperion: CDA67946

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Britten: A Ceremony of Carols & St Nicolas

Awards:

Gramophone Magazine

Editor's Choice - December 2012

Label:

Hyperion

Catalogue No:

CDA67946

Discs:

1

Release date:

1st Oct 2012

Barcode:

0034571179469

Medium:

CD
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Britten: A Ceremony of Carols & St Nicolas


Britten:

A Ceremony of Carols, Op. 28

Sally Pryce (harp), Katherine Watson (soprano) & Zoë Brown (soprano)

St Nicolas, Op. 42

Allan Clayton (tenor)

City of London Sinfonia, Holst Singers & Temple Church Choristers


Trinity College Choir Cambridge, Stephen Layton

CD

$17.00

In stock - usually despatched within 1 working day.

2013 sees the centenary of Benjamin Britten’s birth and Hyperion starts celebrating early with this disc of two of the composer’s most popular choral works, both with a Christmas relevance.

The cantata Saint Nicolas tells the story of the original ‘Santa Claus’, a fourth-century saint whose acts—revitalizing three boys who had been pickled by an unscrupulous landlord being among the more dramatic—led to his canonization as patron saint of children and sailors. Britten’s lively setting is distinctly operatic, full of incident and colour—with the story brought ‘home’ through the use of congregational hymns. The part of Nicolas (here sung magnificently by Allan Clayton, already acclaimed as the heir to Peter Pears and Anthony Rolfe Johnson) is one of Britten’s great heroic tenor roles.

A Ceremony of Carols is a setting for treble voices and harp of some of the medieval texts which Britten loved so much, and is heard every Christmas in cathedrals, churches and concert halls throughout the land. This fresh, sparkling performance completes a thoroughly festive release.

Britten: A Ceremony Of Carols, Op. 28

play01 Procession

play02 Wolcum Yole!

play03 There Is No Rose

play04a That Yongë Child

play04b Balulalow

play05 As Dew In Aprille

play06 This Little Babe

play07 Interlude

play08 In Freezing Winter Night

play09 Spring Carol

play10 Deo Gracias

play11 Recession

Britten: Saint Nicolas, Op. 42

play1. Introduction

play2. The Birth Of Nicolas

play3. Nicolas Devotes Himself To God

play4. He Journeys To Palestine

play5. Nicolas Comes To Myra & Is Chosen Bishop

play6. Nicolas From Prison

play7. Nicolas & The Pickled Boys

play8. His Piety & Marvellous Works

play9. The Death Of Nicolas

Sunday Times

30th September 2012

“Layton’s soprano and mezzos affect a purity that sounds “boyish”...Clayton’s Nicolas is more youthful-sounding than his predecessors (Pears, Tear, Langridge), but Layton captures the mystery-play-like drama of the saint’s life story.”

Financial Times

10th November 2012

“A Christmas disc to savour.”

The Arts Desk

17th November 2012

“Layton’s singers do project beautifully, and their sheer security makes this Ceremony a gorgeous, invigorating experience...The moment when the adult Nicolas (beautifully sung by tenor Allan Clayton) suddenly reveals himself in The Birth of Nicolas will induce goose pimples of delight in sceptical listeners.”

MusicWeb International

November 2012

“The young ladies of Trinity College Cambridge Choir here are pleasantly smooth without becoming unctuously so. Yet neither do they lack ruggedness...Clayton is magnificent”

Gramophone Magazine

December 2012

“Layton's flowing speeds underline the dramatic sequence of the carols...All the solo performances are impeccably shaped and harpist Sally Pryce makes light work of the fiendish accompaniments...Allan Clayton makes the role of Nicolas entirely his own. What a glorious voice!...The hearty sailors, Pickled Boys and St Trinian's-like piano duettists are all on top form. This is a beautiful and deeply affecting recording.”

BBC Music Magazine

January 2013

****

“The clear-toned adult voices of the Choir of Trinity College, Cambridge, highlight qualities in the work often missed when performed by the more usual boys' choir...Perhaps Trinity sound too well-behaved to match the boisterous enthusiasm boys typically bring...[though] the gains in terms of technical assurance and expression make this a welcome recording of a well-loved work.”

Click on any of the works listed above for alternative recordings.

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