Arensky & Taneyev: Piano Quintets

Hyperion: CDA67965

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Arensky & Taneyev: Piano Quintets

Label:

Hyperion

Catalogue No:

CDA67965

Discs:

1

Release date:

30th Sept 2013

Barcode:

0034571179650

Medium:

CD
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Arensky & Taneyev: Piano Quintets


Arensky:

Piano Quintet in D Major, Op. 51

Taneyev, S:

Piano Quintet in G minor, Op. 30


CD

$14.00

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Two chamber masterpieces from nineteenth-century Russia, performed by Piers Lane and the Goldner String Quartet.

Taneyev has been known as the ‘Russian Brahms’ and this epithet is particularly apposite when considering his Piano Quintet in G minor, especially as regards both its instrumental writing and its intellectual passion. Composed in 1911, this massive work bids fair for the accolade of the greatest work in the Russian piano-chamber repertoire before Shostakovich’s Piano Quintet of 1940. Only the extravagance of its technical demands can explain its failure to establish itself in the standard repertoire.

Arensky’s Piano Quintet of 1900 is less monumental and less flamboyant, though not exactly short of fireworks, especially in the piano writing. It is a deeply attractive and enjoyable work—and equally little-known on the concert platform.

Sergei Taneyev: Piano Quintet in G minor, Op. 30

1. Introduzione: Adagio mesto

2. Scherzo: Presto

3. Largo

4. Finale: Allegro vivace

Anton Stepanovich Arensky: Piano Quintet in D major, Op. 51

1. Allegro moderato

2. Variations: Andante

3. Scherzo: Allegro vivace

4. Finale, in modo antico: Allegro moderato

Gramophone Magazine

October 2013

“[Taneyev's] Piano Quintet is an expansive work, warmly played here and with the subtle intelligence Taneyev demanded of himself when planning a work...If Taneyev's Quintet is the more impressive, Arensky's is perhaps the more attractive...The piano-writing is deft and delicate, excellently handled by Piers Lane and well balanced with the strings in the recording.”

BBC Music Magazine

Christmas Issue 2013

****/*****

“Lane's light-fingered ascents and rapid scalic plunges are perfectly complemented by the Goldners' feather-light string playing.”

Click on any of the works listed above for alternative recordings.

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