JS Bach, Handel & Scarlatti: Gamba Sonatas

Hyperion: CDA68045

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JS Bach, Handel & Scarlatti: Gamba Sonatas


Gramophone Magazine

Editor's Choice - Awards Issue 2015



Catalogue No:




Release date:

28th Aug 2015




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JS Bach, Handel & Scarlatti: Gamba Sonatas

Bach, J S:

Viola da Gamba Sonatas Nos. 1-3, BWV1027-1029

Chorale Prelude BWV639 'Ich ruf' zu dir, Herr Jesu Christ'


Sonata in G minor HWV364b

with Robin Michael (cello)

Scarlatti, D:

Keyboard Sonata K90 in D minor

with Robin Michael (cello)

Steven Isserlis (cello), Richard Egarr (harpsichord)



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Bach wrote three wonderful sonatas for the viola da gamba (an early, slightly smaller relative of the modern cello). Lovingly recorded by Steven Isserlis and Richard Egarr, they are here joined by works by Handel and Scarlatti in a programme of haunting tranquillity.

BBC Music Magazine

October 2015

“This isn’t one for the dyed-in-the-wool authenticist…fortunately, dessicated 'authenticity' has been supplanted by imaginatively experimenting performers supported by scholarly evidence…in the Handel slow movements Isserlis indulges stylistically in spontaneous-sounding elaboration of the line, while the thrilling final allegro of the Scarlatti Sonata is wonderfully fluent.”

Financial Times

11th September 2015

“Isserlis judges the scale of his performances to a nicety.”

The Guardian

17th September 2015


“Isserlis plays them on the gamba’s modern cousin, the cello, and the microphone loves his playing, picking up all the nuances and scampering asides from his soft-spoken instrument which can sometimes get lost in big concert halls. Egarr on harpsichord matches Isserlis’s eloquence and rambunctious energy all the way.”

Gramophone Magazine

Awards Issue 2015

“None of these pieces was written for cello and harpsichord, and at no stage does that matter one bit...Isserlis makes no attempt to make his cello imitate the wispy resonance of the gamba, instead claiming the music for his instrument with vigorously articulated lines, robust technical athleticism and ravishing cantabile.”

The Wholenote

November 2015

“Isserlis points out that playing with a harpsichord allows him “to play as lightly as possible without ever courting inaudibility,” and the result is playing of grace, lightness and warmth.”

Click on any of the works listed above for alternative recordings.

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