Lassus: Missa super Dixit Joseph & motets

Hyperion: CDA68064

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Lassus: Missa super Dixit Joseph & motets

Label:

Hyperion

Catalogue No:

CDA68064

Discs:

1

Release date:

29th June 2015

Barcode:

0034571280646

Medium:

CD

Early Music

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Lassus: Missa super Dixit Joseph & motets


Lasso:

Confitemini Domino

Missa super Dixit Joseph

Dixit Joseph undecim fratribus suis

In me transierunt irae tuae

O Mors, quam amara

Deus, Qui Sedes

Si bona suscepimus

Deus, canticum novum

Veni dilecte mi

Fallax gratia

Timor et Tremor


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The six sublime singers of Cinquecento have for seven years now been championing the lesser-known masters of the Austrian court. Now they turn to one of the greats: Lassus. The Missa super Dixit Joseph is based on one of Lassus’ own motets and combines the composer’s characteristic flair for vibrant text-setting with the nascent polychoral style of which he would become an early master.

Glorious performances of the Mass and a diverse range of motets comprise a most satisfying album which culminates with the famous Timor et tremor.

Orlando di Lasso: Confitemini Domino

Confitemini Domino

Orlando di Lasso: Dixit Joseph Undecim Fratribus Suis

Dixit Joseph Undecim Fratribus Suis

Orlando di Lasso: Missa Super Dixit Joseph

1. Kyrie

2. Gloria

3. Credo

4. Sanctus & Benedictus

5. Agnus Dei

Orlando di Lasso: In Me Transierunt Irae Tuae

In Me Transierunt Irae Tuae

Orlando di Lasso: O Mors, Quam Amara Est Memoria Tua

O Mors, Quam Amara Est Memoria Tua

Orlando di Lasso: Deus, Qui Sedes Super Thronum

Deus, Qui Sedes Super Thronum

Orlando di Lasso: Si Bona Suscepimus

Si Bona Suscepimus

Orlando di Lasso: Deus, Canticum Novum

Deus, Canticum Novum

Orlando di Lasso: Veni Dilecte Mi

Veni Dilecte Mi

Orlando di Lasso: Fallax Gratia

Fallax Gratia

Orlando di Lasso: Timor et Tremor

Timor et Tremor

Gramophone Magazine

August 2015

“[Cinquecento's reading is] finely detailed and vocally sure-footed [with a] secure sense of architecture…close attention is rewarded with deepening appreciation.”

The Observer

26th July 2015

****

“Cinquecento, pure-toned but never over-polished, are willing to take risks, which gives this ethereal music energy and life.”

BBC Music Magazine

September 2015

“With just one voice to a part, polyphonic lines are sharply etched and perfectly weighed throughout…an all-male ensemble, their sound is robust and plangent.”

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