Finzi, Bax & Ireland: Choral Music

Hyperion: CDA68167

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Finzi, Bax & Ireland: Choral Music

Awards:

BBC Music Magazine

Choral & Song Choice - April 2017

Label:

Hyperion

Catalogue No:

CDA68167

Discs:

1

Release date:

27th Jan 2017

Barcode:

0034571281674

Medium:

CD
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Released or re-released in last 6 months

Finzi, Bax & Ireland: Choral Music


Bax:

I sing of a maiden that is makeless

This Worldes Joie

Finzi:

My lovely one, Op. 27 No. 1

Daniel Cook (organ)

God is gone up, Op. 27 No. 2

Daniel Cook (organ)

Welcome Sweet and Sacred Feast, Op. 27 No. 3

Daniel Cook (organ)

Lo, the Full, Final Sacrifice, Op. 26

Sebastian Braw-Smith (treble), Julian Stocker (tenor), Julian Empett (bass), Daniel Cook (organ)

Magnificat, Op. 36

Jeremy Suppey (treble), Simon Ponsford (countertenor), Daniel Cook (organ)

Ireland:

Greater Love Hath No Man

Daniel Livermore (treble), Jonathan Brown (bass), Daniel Cook (organ)

Ex ore innocentium (It is a Thing Most Wonderful)

Daniel Livermore (treble), Daniel Cook (organ)

Te Deum laudamus in F

Daniel Cook (organ)


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A trio of English composers perhaps better known for their creative output in other fields, yet who played a crucial role in the development of the Anglican choral tradition in the twentieth century. James O’Donnell and Westminster Abbey Choir present a programme centred on Finzi’s Lo, the full, final sacrifice: the other works may be less familiar but are no less moving.

Finzi: My Lovely One, Op. 27/1

Finzi: God Is Gone Up, Op. 27/2

Finzi: Welcome Sweet & Sacred Feast, Op. 27/3

Finzi: Let Us Now Praise Famous Men, Op. 35

Finzi: Lo, The Full, Final Sacrifice, Op. 26

Finzi: Magnificat, Op. 36

Bax: I Sing Of A Maiden

Bax: This Worldes Joie

Ireland: Greater Love Hath No Man

Ireland: Ex Ore Innocentium

Ireland: Te Deum In F

Gramophone Magazine

February 2017

“The choir’s diffuse tone – breathier in the upper voices than rivals at New College or even King’s Cambridge – is very effective”

MusicWeb International

21st February 2017

“Fine performances from all involved in this recording of English church music.”

Click on any of the works listed above for alternative recordings.

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