Tomás Luis de Victoria: La fiesta de Pascua en Piazza Navona

Lauda: LAU012

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Tomás Luis de Victoria: La fiesta de Pascua en Piazza Navona

Label:

Lauda

Catalogue No:

LAU012

Discs:

2

Release date:

23rd July 2012

Barcode:

5412690053672

Medium:

CD
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Tomás Luis de Victoria: La fiesta de Pascua en Piazza Navona

World Premiere Recording


CD 1

S. GIACOMO DEGLI SPAGNOLI (MAITINES Y LAUDES)

1. Motete: Iubilate Deo, omnis terra, a 8 - Ruggiero Giovanelli 3:25

2. Salmo: Domine, quid multiplicati sunt, a 5 - Jacobus de Kerle 4:44

3. Antífona: Haec dies quam fecit Dominus, a 8 - Giovanni P. da Palestrina 2:12

4. Himno: Tantum ergo, a 5 - Tomás Luis de Victoria 2:52

PROCESION EN PIAZZA NAVONA

5. Fanfarria (instrumental) - Cesare Bendinelli 2:29

6. Motete: Surrexit pastor bonus, a 6 - Tomás Luis de Victoria 2:58

7. Lauda: Christo ver’huom’ e Dio, a 3 - Serafino Razzi 2:32

8. Himno: Ad caenam agni providi, a 4/5 - Tomás Luis de Victoria / Giovanni P. da Palestrina 7:47

9. Motete: Ardens est cor meum, a 6 - Tomás Luis de Victoria 3:08

10. Victimae paschali laudes (instrumental) - Fernando de las Infantas 3:33

11. Motete: Ego sum panis vivus, a 4 - Tomás Luis de Victoria 3:08

12. Himno: Iesu, nostra redemptio, a 4 - Giovanni Matteo Asola / Tomás Luis de Victoria 5:18

13. Ricercata La mi re fa mi re (instrumental) - Rocco Rodio 2:42

14. Responsorio: Expurgate vetus fermentum, a 8 - Giovanni P. da Palestrina 3:20

15. Fanfarria (instrumental) - Cesare Bendinelli 1:52

CD 2

S. GIACOMO DEGLI SPAGNOLI (MISA, VÍSPERAS Y COMPLETAS)

1. Himno: Te Deum laudamus, a 6 - Jacobus de Kerle 14:57

2. Tiento de segundo tono por Gsolreut (órgano) - Bernardo Clavijo del Castillo 4:11

3. Motete: O sacrum convivium, a 4 - Tomás Luis de Victoria 3:21

4. Secuencia: Victimae paschali laudes, a 8 - Giovanni P. da Palestrina 3:31

5. Villanesca: Si tus penas no pruebo, a 3 - Francisco Guerrero 6:02

6. Antífona: Christus resurgens, a 5 - Giovanni Animuccia 2:19

7. Salmo: In exitu (Salmi passaggiati) - Giovanni Luca Conforti 6:38

8. Antífona: Crucem sanctam subiit, a 5 - Giovanni P. da Palestrina 2:53

9. Lauda: Anima mia, che pensi?, a 3 - Anónimo 4:39

10. Antífona: Regina caeli, a 8 - Tomás Luis de Victoria 4:22


La Grande Chapelle, Albert Recasens

CD - 2 discs

$26.75

In stock - usually despatched within 1 working day.

Easter celebrations in the Piazza Navona. T. L. de Victoria and the Spanish Confraternity of the Resurrection in Rome The confraternity of the Resurrection of S. Giacomo degli Spagnoli – the Castilian national church in Rome – was responsible, from 1579 onwards, for organizing the Easter celebrations in the Piazza Navona, one of the most spectacular public festivities during the time of Spanish supremacy in Italy.

For the solemn procession, which took place before dawn, the square would be decked out with ephemeral constructions and allegorical scenes, accompanied by lights, fireworks and music provided by the finest singers in the city situated either in platforms or in the procession itself. Indeed it was organized as a symbol of the hegemony of the Spanish nation and functioned as a powerful propaganda tool. As a member of the confraternity, Tomás Luis de Victoria was associated with the procession before his return to Spain in 1585. This double CD offers a never before undertaken evocation of the music that might have been heard in the church and around the square during this most important of Roman celebrations.

It brings together an enormously varied selection of vocal and instrumental pieces by composers who, together with Victoria, were either involved in the organisation of the festivities (such as Francisco Soto or Ruggiero Giovanelli) or whose music was preserved in the S. Giacomo degli Spagnoli archive (Jacobus de Kerle, Giovanni P. da Palestrina, Giovanni Animuccia, Rocco Rodio and Francisco Guerrero). This superb recreation, as well as offering us a new reading of Victoria’s work, submerges us, in a wholly new way, in the sonorities that he would have been familiar with in the latter part of his Roman period: from sumptuous polychoral works with Venetian influences to the simple laude spirituali associated with the Oratory of Saint Philip Neri. In short, it is another first for La Grande Chapelle, establishing a context in which to place one of the greatest composers of the Spanish Renaissance.

playJubilate Deo (Giovannelli)

playDomine, quid multiplicati sunt (de Kerle)

playHaec dies quam fecit (Palestrina)

playTantum ergo (Victoria)

playSonata 336 (Bendinelli)

playSurrexit pastor bonus (Victoria)

playChristo ver' huom' e Dio (Belcari)

playAd caenam agni providi (Victoria)

playArdens est cor meum (Victoria)

playVictimae paschali laudes (F. de las Infantas)

playEgo sum panis vivus (Victoria)

playJesu nostra redemptio (Asola)

playRicercata "La mi re fa mi re" (Rodio)

playExpurgate vetus fermentum (Palestrina)

playSonata 335 (Bendinelli)

playTe Deum (de Kerle)

playTiento de 2° tono por Gesolreut (Clavijo)

playO sacrum convivium (Victoria)

playVictimae Paschali (Palestrina)

playSi tus penas (Guerrero/Soto de Langa)

playChristus resurgens (Animuccia)

playIn Exitu (Conforti)

playCrucem sanctam subiit (Palestrina)

playAnima mia che pensi? (Anónimo)

playRegina caeli laetare (Victoria)

Gramophone Magazine

December 2012

“the performances exhibit a rare degree of confidence throughout (whatever the medium), characterised by a fluency and conviction worthy of the best reconstructions. Singing, ensemble, soloists are all first-rate. Most importantly, perhaps, one gets that nearly undefinable sense of occaasion that is essential to such an enterprise...One of my picks of 2012, undoubtedly.”

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