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The year 1847 witnessed a rich variety of scores from Johann Strauss (the Elder). In May he wrote The Swallows, sparkling avian waltzes, soon after which he unveiled his dramatic Austrian March-Past to great acclaim. His quadrille on themes from Auber’s opera The Devil’s Due is an ingenious composition, whilst The Meadow Flowers drew from him fragrant lyricism in the Ländler style. As the New Year dawned he revealed the luscious Dance-Signals, a waltz fit for the Carnival season.
Johann Strauss I: Die Schwalben, Op. 208
Die Schwalben, Op. 208
Johann Strauss I: Oesterreichischer Defilir-Marsch, Op. 209
Oesterreichischer Defilir-Marsch, Op. 209
Johann Strauss I: Beliebte Kathinka-Polka, Op. 210
Beliebte Kathinka-Polka, Op. 210
Johann Strauss I: Beliebte Quadrille nach Motiven aus Auber's Oper Des Teufels Antheil, Op. 211
Beliebte Quadrille nach Motiven aus Auber's Oper Des Teufels Antheil, Op. 211
Johann Strauss I: Marien Walzer, Op. 212
Marien Walzer, Op. 212
Johann Strauss I: Feldbleamel'n Walzer, Op. 213
Feldbleamel'n Walzer, Op. 213
Johann Strauss I: Nador Kor, Palatinal-Tanz, Op. 214