An all star ensemble of early and baroque music specialists masters the delicate beauty of Bach's Brandenburg Concertos: the alternating solo and ensemble parts all shine with musical excellence, the communication between the musicians is outstanding, the structure of the music is always clear and intuitively understood.
The orchestra features outstanding artists such as Giuliano Carmignola, Michala Petri, Alois Posch, Reinhold Friedrich and Ottavio Dantone.
It was formed by Claudio Abbado and his choices speak for themselves: Claudio Abbado and the Orchestra Mozart achieve a rare homogeneity of sound.
"When Claudio Abbado, recently described by the New York Times as 'the most respected living conductor', teams up with the renowned period-instrument violinist Giuliano Carmignola, the result promises to be very special." Classic FM
“Teamed up here with his recently-formed young Italian ensemble, Orchestra Mozart, and his former protégé, skilled period-violin specialist Giuliano Carmignola, Abbado makes this familiar music appear fresh and vital, as if you’re hearing it for the first time.” Classical Source
“The excitement is palpable, reflected in smiling glances between the players, bodies swaying through musical suspensions, a sense of uninhibited joy… The playing is stylish throughout: ornaments are apt, all the more telling for their restraint; trills are paced to match mood, languid in slow movements, sparkling in allegros.”
“Here Claudio Abbado is gambolling among the Brandenburg Concertos in this straightforward TV-style concert film, recorded in the classic 19th-century opera house at Reggio Emilia during an Italian tour in spring 2007. The orchestra is at first glance a curious gathering, mixing 'Baroque' players such as violinist Giuliano Carmignola and harpsichordist Ottavio Dantone with 'modern' names such as trumpeter Reinhold Friedrich and 'un-Baroque' recorder-player Michala Petri. Furthermore, a look round the instruments reveals mostly modern models, some hybrids (for instance Jacques Zoon's wooden, multi-keyed flute) and a sprinkling of Baroque bows. Mind you, most younger players these days are well versed in Baroque style whatever they play on, and the tenor of these performances is firmly consistent with current ideas of what Baroque music ought to sound like.”
“So what… does Abbado bring to pieces that these days are rarely considered to required a conductor? In music that is surely more for players than conductors, he allows fine soloists such as Carmignola, Zoon and the two yearningly exquisite viola soloists in No 6 to shine, yet has clearly worked hard to ensure that every note is in precisely the right place, every tempo convinces, and the texture is always deliciously transparent.”
12th March 2011
“Conducting J. S. Bach isn’t Abbado’s usual activity. But he buckles to it with joy, humanity and an Italianate slant that turns these cornerstone suites into outpourings of instrumental song. The players are the all-star Orchestra Mozart, with Giuliano Carmignola the demon lead fiddler, caught live in 2007.”
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