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Here, collected for the first time, are all of Morton Feldman's compositions for violin and piano. It is also a kind of walk through his compositional development, from the Webernesque early Piece for Violin and Piano (1950); through the experiments with graphic notation in Projection 4 (1951); followed by an excursion into the jungle-like density of David Tudor's energy in Extensions 1 (1951); to the cryptic notational riddles of Vertical Thoughts 2 (1963); from the dry carpet-dusting Spring of Chosroes (1977) to the extended sound canvas of the late Feldman in For John Cage (1982). He remarked, with an eye twinkling: "My music is just like Webern. Only a little bit longer."