Boccherini: Stabat Mater

Release Date: 20th Oct 2017
Catalogue No: MF8026
Label: Musica Ficta
Length: 59 minutes

Usually despatched in 3 - 4 working days

Boccherini: Stabat Mater, Op. 61, G. 532

Work length39:12

$11.55

$14.30

$17.60

Ensemble RosaSolis, Magali Léger

I. Stabat Mater (Grave assai)

Track length4:39

$1.05

$1.30

$1.60

II. Cujus animam (Allegro)

Track length1:59

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$1.60

III. Quae moerebat (Allegretto con moto)

Track length2:24

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IV. Qui est homo (Adagio assai)

Track length1:23

$1.05

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V. Pro peccatis (Allegretto)

Track length4:00

$1.05

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$1.60

VI. Eja Mater (Larghetto non tanto)

Track length6:12

$1.05

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VII. Tui Nati vulnerati (Allegro vivo)

Track length4:38

$1.05

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VIII. Virgo virginum (Andantino)

Track length4:43

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IX. Fac ut portem (Larghetto)

Track length2:31

$1.05

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X. Fac me plagis (Allegro comodo)

Track length2:30

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XI. Quando corpus (Andante lento)

Track length4:13

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Boccherini: Quintette à cordes en Ut Mineur, Op. 45 / 1, G. 355

Work length20:15

$4.20

$5.20

$6.40

Ensemble RosaSolis

I. Adagio non tanto

Track length6:40

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$1.60

II. Allegro assai

Track length5:21

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III. Tempo di minuetto

Track length4:17

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IV. Finale - Presto

Track length3:57

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$1.60

About
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Luigi Boccherini produced only a modest amount of sacred music. We know, however, that he wrote sacred works throughout his life. The work which most of all represents Boccherini’s vocal output in the eyes of the wider public is the Stabat Mater G. 532. It is the original version of the Stabat Mater composed in 1781and scored for soprano and string quintet which is recorded here.

The Quintet op. 45 No.1 featured on this disc is an unfamiliar work. It was written during March 1792, at which time Boccherini was employed as composer to the court of King Friedrich Wilhelm II of Prussia. Referred to as an “Opera Grande” according to Boccherini’s classification, the piece is considered to be one of the maturest works of Boccherini’s German period: at a time of significant development in the string quintet, the composer attains a rare harmonic and melodic balance in which the two cellos, never doubling one another, attain an almost symphonic autonomy that erases all trace of their one-time continuo role.

Boccherini: Stabat Mater

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