Vivaldi: In Furore, Laudate Pueri e Concerti Sacri

Naive: OP30416

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Vivaldi: In Furore, Laudate Pueri e Concerti Sacri

Awards:

BBC Music Magazine

Choral & Song Choice - June 2006

Label:

Naive

Catalogue No:

OP30416

Discs:

1

Release date:

2nd May 2006

Barcode:

0709861304165

Length:

62 minutes

Medium:

CD (download also available)
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Vivaldi: In Furore, Laudate Pueri e Concerti Sacri


Vivaldi:

In furore iustissimae irae, RV626

Sinfonia in B minor, RV169 'Al Santo Sepolcro'

Laudate pueri, RV601

for soprano, flute, 2 oboes, 2 violins, alto and continuo

Concerto in D minor for violin, organ & strings RV541

Concerto No. 4 in F major for violin, strings and harpsichord ‘Per la solennità di San Lorenzo' RV286


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Antonio Vivaldi: In furore iustissimae irae, RV 626

playAria: In furore iustissimae irae

playRecitative: Miserationum Pater piissime

playAria: Tunc meus fletus evadet laetus

playAlleluia

Antonio Vivaldi: Sinfonia in B minor, RV 169, "Al Santo Sepolcro"

playI. Adagio molto

playII. Allegro ma poco

Antonio Vivaldi: Laudate pueri Dominum, RV 601, "Psalm 112"

playLaudate pueri, Dominum

playSit nomen Domini benedictum

playA solis ortu usque ad occasum

playExcelsus super omnes gentes Dominus

playSuscitans a terra inopem

playUt collocet eum cum principibus populi sui

playGloria Patri et Filio et Spiritui sancto

playSicut erat

playAmen

Antonio Vivaldi: Concerto for Violin and Organ in D minor, RV 541

playI. Allegro

playII. Grave

playIII. Allegro molto

Antonio Vivaldi: Violin Concerto in F major, RV 286, "Concerto per la solennita di San Lorenzo"

playI. Largo - Andante molto

playII. Largo

playIII. Allegro non molto

Gramophone Classical Music Guide

2010

“'In furore is the ideal score for any soprano who's spoiling for a fight – with herself!' So says Sandrine Piau in the booklet, and she could have added that it also makes a superb opener for any disc. The motet could have been made for a singer of Piau's avian lightness and agility, and sure enough she throws herself into it, bringing to it her usual precision and, with a technique that enables plenty of dazzling extra ornaments, winning personality.
With her energy and imagination, Piau manages to find contrast in the work, not just between its fearful opening movement and more penitential second, but on a local scale as well. In the Laudate pueri, an altogether more urbane offering, she sings with poise, expressive sophistication and tonal power. Piau's quickness of mind is matched by the orchestral playing of Accademia Bizantina, whose sound, typically for an Italian group, is deliciously grainy, allowing for an alert and intense approach to interpretative detail. Thus they never fail to enhance the mood of a particular number, a skill which they also put to good use in the disc's three orchestral works..”

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