Melani: Mottetti (Motets)

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Melani is a real find: all credit to Rinaldo Alessandrini for rediscovering him and for securing performances of real brilliance from Concerto Italiano. — Gramophone Magazine, November 2010 More…

Release Date: 13th Sep 2010
Catalogue No: OP30431
Label: Naive
Length: 67 minutes

Gramophone Magazine

November 2010

Editor's Choice

Melani: Litanie per la beata vergine

Work length10:52

$3.00

$3.85

Concerto Italiano
Rinaldo Alessandrini

Melani: Ave regina coelorum

Work length4:57

$1.00

$1.30

Concerto Italiano
Rinaldo Alessandrini

Melani: Delectus sacrorum concentuum, Op. 2

Work length16:22

$3.00

$3.90

Concerto Italiano
Rinaldo Alessandrini

Clamemus ante deum

Track length5:15

$1.00

$1.30

O voces formidandae

Track length4:27

$1.00

$1.30

De necessitatibus

Track length6:40

$1.00

$1.30

Melani: Laudate pueri

Work length5:31

$1.00

$1.30

Concerto Italiano
Rinaldo Alessandrini

Melani: Vivere sine te

Work length7:31

$2.00

$2.60

Concerto Italiano
Rinaldo Alessandrini

Melani: Salve regina

Work length4:19

$1.00

$1.30

Rinaldo Alessandrini (organ)
Concerto Italiano

Melani: Concerti spirituali, Op. 3

Work length7:32

$2.00

$2.60

Concerto Italiano
Rinaldo Alessandrini

Concerti spirituali, Op. 3: Ad arma, cor meum

Track length7:32

$2.00

$2.60

Melani: Magnificat

Work length9:56

$2.00

$2.60

Rinaldo Alessandrini (organ)
Concerto Italiano

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About

This release is a real revelation and a ‘coup de Coeur’! Roman composer Alessandro Melani (1639-1703), whose sacred music is still virtually unknown, composed several absolute jewels in this field and all the works featured here are world premiere recordings. Discover a world full of harmony and musical delicacy, in superb accounts by Rinaldo Alessandrini, who has consistently championed baroque Roman composers.

The sacred output of Alessandro Melani is today almost totally unknown both to musicologists and to the public. There are no scholarly monographs on this repertory, still less recordings or performing editions. Alessandrini conducted the first modern performance of the oratorio Il sacrificio di Abel at the Semana de Musica Religiosa in Cuenca (Spain) in 2003, and has given several performances of the Litany of the Blessed Virgin and some of the motets.

Melani (born in Pistoia, 1639, died in Rome, 1703) spent much of his career as maestro di cappella of various churches and cathedrals, including the basilica Santa Maria Maggiore in Rome. From 1672, he was placed in charge of the Salve, the Borghese family’s private cappella inside the basilica, combining it with a position at the church of San Luigi dei Francesi. The music that he wrote for the Borghese musical establishment - some 54 compositions are held in the Santa Maria Maggiore archive - includes numerous settings of Marian antiphons, among them two of the pieces on this CD, the Litany of the Blessed Virgin (for nine voices, the forces available to the Salve) and the Ave Regina coelorum.

Under Rinaldo Alessandrini’s directorship, Concerto Italiano’s revelatory interpretations have revolutionised our perception of 17th and 18th century Italian music (the group’s groundbreaking recordings of Monteverdi’s madrigals have achieved benchmark status), establishing it as the finest ensemble of its kind in Italy today. This new release will be granted the most prestigious French press award, Diapason d'or, in September.

Reviews

November 2010

Melani is a real find: all credit to Rinaldo Alessandrini for rediscovering him and for securing performances of real brilliance from Concerto Italiano.

2nd September 2010

Melani's smaller-scale motets show the mixture of techniques, some looking back to Palestrina, others taken on from Monteverdi and his contemporaries... Concerto Italiano's performances are never over-manicured; there's a nice bite to the sound.

19th September 2010

Accompanied by two theorbos and a single organ, Rinaldo Alessandrini’s Concerto Italiano sing with a bright blend and easy coloratura. Polychoral contrasts are vivid in “Vivere sine te”, while the tutti entry on “Ora pro nobis” is dazzling.

Melani: Mottetti (Motets)

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