Vivaldi: Glorias

Naive: OP30485

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Vivaldi: Glorias

Label:

Naive

Catalogue No:

OP30485

Discs:

1

Release date:

5th Oct 2009

Barcode:

0709861304851

Length:

66 minutes

Medium:

CD (download also available)
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Vivaldi: Glorias


Vivaldi:

Gloria, RV588

arr. M. Pollio

Monica Piccinini (soprano), Alena Dantcheva (soprano), Massimiliano Pollio, Sara Mingardo (contralto), Luca Dordolo (tenor), Lia Serafini, Rinaldo Alessandrini (harpsichord)

Gloria in D major, RV589

Deborah York (soprano), Patrizia Biccire (soprano), Sara Mingardo (contralto)

Northern Chamber Orchestra & Collegium Musicum 90

Introduzione al Gloria, RV 642 'Ostro picta, armata spina'

Sara Mingardo, Emma Kirkby (soprano) & Rinaldo Alessandrini (harpsichord)

Collegium Musicum 90


CD

$16.75

(also available to download from $10.50)

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Award winning, world renowned conductor, Rinaldo Alessandrini with his stunning period-instrument ensemble, Concerto Italiano – about to celebrate its 25th anniversary – perform two Glorias by Vivaldi. It’s their first major release for the Vivaldi Edition since 2004. The all-star soloist line-up is headed by contralto Sara Mingardo, “one of the richest voices before the public today” (Gramophone, July 2009). Don’t miss the stunning “Domine Deus Agnus Dei” from Gloria RV589.The recording presents two major sacred works by Vivaldi: the celebrated Gloria RV589 and the much rarer RV588. The recording also features a work recorded only four times in recording history: the ‘Ostro Picta’ introduction, that Rinaldo has chosen to associate with the Gloria RV589.

Antonio Vivaldi: Ostro picta, armata spina, RV 642

playAria: Ostro picta, armata spina

playRecitative: Sic transit vana et brevis gloria mundi

playAria: Linguis favete

Antonio Vivaldi: Gloria in D major, RV 589

playGloria in excelsis Deo (Chorus)

playEt in terra pax (Chorus)

playLaudamus te (Soprano duet)

playGratias agimus tibi (Chorus)

playDomine deus, Rex caelestis (Soprano)

playDomine Fili unigenite (Chorus)

playDomine Deus, Agnus Dei (Alto, Chorus)

playQui tollis peccata mundi (Chorus)

playQui sedes ad dexteram Patris (Alto)

playQuoniam tu solus Sanctus (Chorus)

playCum Sancto Spiritu (Chorus)

Antonio Vivaldi: Gloria, RV 588 (arr. M. Pollio)

playJubilate, o amoeni chori (Alto)

playRecitative: In tam solemni pompa (Alto)

playSonore modulamine voce (Alto)

playEt in terra pax hominibus (Chorus)

playLaudamus te (Soprano)

playGratias agimus tibi (Chorus)

playDomine Deus, Rex caelestis (Tenor)

playDomine Fili Unigenite (Chorus)

playDomine Deus, Agnus Dei (Soprano)

playQui tollis peccata mundi (Chorus)

playQui sedes ad dexteram Patris (Alto)

playQuoniam tu solus Sanctus (Soprano)

playCum Sancto Spiritu (Chorus)

BBC Music Magazine

Christmas 2009

****

“Both versions of this evergreen vocal masterpiece are stylish and deeply felt. Common to both is the affecting singing of contralto Sara Mingardo; her 'Domine Deus Agnus Dei' is poignantly declaimed.”

Gramophone Magazine

February 2010

“Rinaldo Alessandrini's 1997 recording of Vivaldi's most famous Gloria, RV589 (6/98) was wildly acclaimed in some quarters… This new performance… still sets off at a brisker pace than most but it is no longer wilfully madcap: the articulate playing of Concerto Italiano permits enough room for the details to emerge, and Alessandrini nowadays seems to have enough confidence in his musicians (and in Vivaldi) to let the muscular expression of rhythms function without impatient snapping at the musical fabric. Another notable improvement from 1997 in his plangent choir. "Laudamus te" crackles with energy... Concerto Italiano also delivers a zesty performance of Vivaldi's less famous Gloria setting (RV588). ...Mingardo is at her best in the heartfelt "Qui sedes", and Alessandrini's spirited direction is irresistible.”

bbc.co.uk

Katie Greening

22nd October 2009

“...the performance is an even and expressive one – it runs at a cracking pace, too – and worth listening to alone for solos by Sara Mingardo, whose rich yet light voice is perfect for this music...a performance that celebrates the rich drama and excitement of Vivaldi while maintaining a lightness of touch throughout.”

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