Wagner: Tristan und Isolde

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Wagner: Tristan und Isolde



Catalogue No:







3 hours 30 minutes



Summer Opera Sale

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Wagner: Tristan und Isolde

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Richard Wagner: Tristan und Isolde

Act One: Prelude

Act One: Scene One - Westwarts schweift der Blick (Isolde)

Act One: Scene Two - Frisch weht der Wind der Heimath zu (Isolde, Tristan)

Act One: Scene Three - Weh! ach wehe! dies zu dulden!

Act One: Scene Four - Auf! Auf! IIhr Frauen!

Act One: Scene Four - Herr Tristan trete nah' !

Act One: Scene Five - Tristan! Isolde- Trueloser Holder!

Act Two: Prelude

Act Two: Scene One - Horst du sie noch?

Act Two: Scene Two - Isolde! - Geliebte

Act Two: Scene Two - O sink' hernieder, Nacht der Liebe

Act Two: Scene Two - Einsam wachend in der Nacht

Act Two: Scene Two - Lausch, Geliebter!- Lass mich sterben!

Act Two: Scene Three - Doch unsre Liebe, heist sie nicht Tristan und Isolde?

Act Two: Scene Three - Rette dich, Tristan!

Act Two: Scene Three - Tatest du's wirklich?

Act Two: Scene Three - O Konig, Das kann ich dir nicht sagen

Act Three: Prelude

Act Three: Scene One - (The Shepard's pipe is heard)

Act Three: Scene One - Kurwenal! He! Sag', Kurwenal!

Act Three: Scene One - Hei nun! Wie du Kamst?

Act Three: Scene Two - Noch losch das Licht nicht aus

Act Two: Scene One - Noch ist kein Schiff zu sehn

Act Two: Scene One - O Wonne! Nein! Er regt sich, er lebt!

Act Three: Scene Two - O Di Somne! Ha! dieser Tag!

Act Three: Scene Two - Ha! Ich bin's , sussester Freund!

Act Three: Scene Two - Kurwenal! Hor! Ein zweites Schiff!

Act Three: Scene Three- Mild und leise wie er lachetlt

Gramophone Classical Music Guide


“This is an improved remastering by Ward Marston of a VAI set which received a warm welcome for preserving the rewarding partnership of Flagstad and Melchior, some would say unsurpassed in their respective roles and here on great form. The soprano, though at the start of her career in the part, is already a fully formed Isolde, and one marvels at Melchior, confirming his stature as the greatest Wagner tenor of all time. The rest of the cast are nothing special.
Reiner, after a slow start, provides the right breadth and vitality to the work even when the playing leaves a little to be desired. The thencustomary cuts are made in Acts 2 and 3. At superbargain price (the VAI was at full price) this is an essential purchase for Wagnerians.”

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