Great Cellists - Casals

Naxos: 8110987

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Great Cellists - Casals

Label:

Naxos

Catalogue No:

8110987
(8.110987)

Discs:

1

Release date:

30th April 2007

Barcode:

0636943198728

Length:

76 minutes

Medium:

CD

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Great Cellists - Casals

Encores and Transcriptions - 5


Bach, J S:

Adagio

arr. Siloti

Brahms:

Sapphische Ode, Op. 94 No. 4

Bruch:

Kol Nidrei, Op. 47

Chopin:

Nocturne No. 2 in E flat major, Op. 9 No. 2

arr. Popper

Crouch, F:

Kathleen Mavourneen

Cui:

Berceuse, Op. 20 No. 8

Elgar:

Salut d'amour, Op. 12

Glazunov:

Mélodie for cello & orchestra in D major, Op. 20/1

Granados:

Goyescas (opera): Intermezzo

arr. Cassado

Handel:

Minuet

Haydn:

Adagio from Concerto in D

Hinkson:

Would God I were the tender apple blossom

MacDowell:

To a Wild Rose, Op. 51 No. 1

Mendelssohn:

Song without Words, Op. 67 No. 6 in E major 'Lullaby'

Moore, T:

Believe me if all those endearing young charms

Popper:

Gavotte

Riego:

O dry those tears!

Rubinstein:

Romance in E flat major, Op. 44 No. 1 'The Night'

Sgambati:

Serenata napoletana, Op. 24 No. 2

Tchaikovsky:

Souvenir d'un lieu cher, Op. 42: Mélodie in E flat major

The Seasons, Op. 37b: October ('Autumn Song')


Pablo Casals (cello)

Historical Recordings 1920-1925

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David Popper: Nocturne No. 2 in E flat major, Op. 9, No. 2 (arr. for cello and piano)

Nocturne No. 2 in E flat major, Op. 9, No. 2 (arr. Popper for cello and piano)

Frederick Nicolls Crouch: Kathleen Mavourneen (arr. for cello and orchestra)

Kathleen Mavourneen (arr. for cello and orchestra)

Thomas Moore: Irish Melodies (arr. for cello and orchestra)

Believe Me if All Those Endearing Young Charms (arr. for cello and orchestra)

Edward Elgar: Salut d'amour, Op. 12, "Liebesgruss"

Salut d'amour, Op. 12

Traditional: Would God I were the Tender Apple Blossom, "Londonderry Air"

Would God I were the Tender Apple Blossom, "Londonderry Air"

David Popper: Gavotte No. 2 in D major, Op. 23

Gavotte in D major, Op. 23

Anton Rubinstein: Soirees a Saint-Petersbourg, Op. 44 (arr. for cello and piano)

Romance in E flat major, Op. 44, No. 1

Edward MacDowell: Woodland Sketches, Op. 51

Woodland Sketches, Op. 51: No. 1: To a Wild Rose (arr. for cello and piano)

Giovanni Sgambati: Serenata napoletana, Op. 24, No. 2

Serenata napoletana, Op. 24, No. 2

Theresa del Riego: Oh, Dry Those Tears

Oh, Dry Those Tears

Max Bruch: Kol nidrei, Op. 47

Kol nidrei, Op. 47

Alexander Konstantinovich Glazunov: 2 Morceaux, Op. 20 (arr. for cello and piano)

2 morceaux, Op. 20: No. 1. Melodie arabe (arr. for cello and piano)

Franz Joseph Haydn: Cello Concerto No. 2 in D major, Hob.VIIb:2 (arr. for cello and piano)

Cello Concerto in D major, Hob.VIIb:2: II. Adagio (arr. for cello and piano)

Felix Mendelssohn: Lieder ohne Worte (Songs without Words), Book 6, Op. 67 (arr. for cello and piano)

Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 6. Wiegenlied (Cradle Song) (arr. cello and piano)

Johannes Brahms: 5 Lieder, Op. 94

5 Lieder, Op. 94: No. 4: Sapphische Ode (arr. for cello and piano)

Pyotr Il'yich Tchaikovsky: Souvenir d'un lieu cher, Op. 42 (arr. cello and piano)

Souvenir d’un lieu cher, Op. 42: No. 3. Melodie in E flat major (arr. cello and piano)

George Frideric Handel: Berenice, HWV 38 (arr P. Casals)

Berenice, HWV 38, Overture: Minuet

Pyotr Il'yich Tchaikovsky: Les saisons (The Seasons), Op. 37b (arr. for cello and piano)

Les Saisons (The Seasons), Op. 37b: No. 10. October: Autumn Song (arr. for cello and piano)

Cesar Cui: Suite Miniature No. 1, Op. 20 (arr. for cello and piano)

Suite Miniature No. 1, Op. 20: V. Berceuse (arr. for cello and piano)

Johann Sebastian Bach: Toccata, Adagio and Fugue in C major, BWV 564: Adagio (arr. Siloti for cello and piano)

Toccata, Adagio and Fugue in C major, BWV 564: Adagio (arr. Siloti for cello and piano)

Enrique Granados: Goyescas: Intermezzo (arr. G. Cassado for cello and piano)

Goyescas: Intermezzo (arr. for cello and piano)

BBC Music Magazine

August 2007

*****

“It was impossible for Casals to play anything as if it weren't great music, and even the shortest items on this disc have a depth and warmth which easily overcome the gritty sound of the early 1920s.”

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