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Reissue Producer and Audio Restoration Engineer: Mark Obert-Thorn
Heifetz’s unequalled combination of silky legato, classically contained phrasing and technical dexterity found its perfect match in the Concertos of Max Bruch. The G minor recording was the first of two that he made with Sargent and it is, if anything, even finer in its lyric generosity than the 1962 remake. Bruch’s Second Concerto and Spohr’s Eighth were both recorded (as were the Beethoven Romances) in Hollywood, and are the violinist’s only recordings of either work. He exhibits superb control of the former’s long-breathed narrative, and of the latter’s operatic intensity of expression.
David Mason: Vedem
Part I: The Transports: Hear My Story Now (A Man, Chorus, A Youth, A Woman)
Part I: The Transports: Memories of Prague (Mezzo-soprano)
Part II: Home Number One: Home Number One (Chorus)
Part II: Home Number One: Five (Tenor)
Part III: Vedem: Vedem (Chorus, A Man, A Woman, Boys)
Part III: Vedem: Just a Little Warmth (Mezzo-soprano)
Part III: Vedem: In Terezin The Mind Was Free (Chorus, Boys)
Part III: Vedem: Thoughts (Tenor, Chorus)
Part III: Vedem: Live Leaves about to Fall (Chorus, A Man)
Part III: Vedem: Love in the Floodgates (Tenor)
Part III: Vedem: We were Alive, Approximately (Chorus)
Part IV: A Model Ghetto (Youths, A Woman, A Man, Chorus)
Part V: They Are Gone: They Are Gone (A Rabbi, Chorus)
Part V: They Are Gone: Farewell to Summer (Mezzo-soprano)
Part V: They Are Gone: We Were No Different Than You (A Rabbi, Chorus, A Woman)
David Vogel: Fathers
No. 1. Don't Cry, fragment 1
No. 2. You, Father
No. 3. Don't Cry, fragment 2
No. 4. Last Night I Dreamt
No. 5. Don't Cry, fragment 3
No. 6. I Saw My Father Drowning
No. 7. Don't Cry
Click on any of the works listed above for alternative recordings.
Part I: The Transports: Hear My Story Now (A Man, Chorus, A Youth, A Woman)