I Gramophone Company, London, 6th November 1911, with Haddon Squire (piano)
Kreisler: La précieuse (in the style of Couperin); Scherzo (in the style of Dittersdorf); Scherzo (in the style of Dittersdorf); Kreisler: Allegretto (in the style of Boccherini); Caprice viennois, Op. 2; Tambourin chinois, Op. 3; Liebesleid; Liebesfreud; Cottenet (arr. Kreisler): Chanson – Méditation; Tchaikovsky (arr. Kreisler): Chant sans paroles; Brahms (arr. Joachim): Hungarian Dance No. 5 (arr. in G minor); Kreisler: Chanson Louis XIII and Pavane (in the style of Couperin);J. S. Bach (arr. Kreisler): Partita No. 3, BWV 1006: III. Gavotte; Kreisler: Aubade provençale (in the style of Couperin); Aubade provençale (in the style of Couperin);La chasse (in the style of Cartier) 1
II. Victor Talking Machine Co., New York City, 18th and 23rd December 1912, with George Falkenstein (piano)
Gluck: Orphée et Euridice: Dance of the Blessed Spirits ‘Mélodie’ (Act II); Kreisler: Schön Rosmarin; Andantino (in the style of Martini); Chanson Louis XIII and Pavane (in the style of Couperin); J. S. Bach (arr. Kreisler): Partita No. 3, BWV 1006: III. Gavotte; Kreisler: Liebesleid; Townsend: Berceuse; Cottenet (arr. Kreisler): Chanson – Méditation