Lutoslawski: Livre pour orchestre, etc.

Naxos: 8553625

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Lutoslawski: Livre pour orchestre, etc.

Label:

Naxos

Catalogue No:

8553625
(8.553625)

Discs:

1

Barcode:

0730099462525

Length:

73 minutes

Medium:

CD (download also available)
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Lutoslawski:

Livre pour orchestre

Cello Concerto

Novelette

Chain 3


CD

$9.25

(also available to download from $7.00)

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Witold Lutoslawski: Livre pour orchestre

Livre pour orchestre

Witold Lutoslawski: Cello Concerto

Concerto for Cello and Orchestra

Witold Lutoslawski: Novelette

Announcement

First Event

Second Event

Third Event

Conclusion

Witold Lutoslawski: Chain 3

Chain No. 3

Gramophone Classical Music Guide

2010

“This is an excellent disc; fine music, well played and recorded, and all at the special Naxos price. The earliest composition, Livre (1968), was the first work completed by Lutospawski after the Second Symphony, and it shows him at his freshest and boldest, as if relieved to be free (if only temporarily) from the burden of one of music's weightiest traditions.
With its well-nigh surreal juxtapositions of strongly contrasted materials, and the unusual ferocity of its tone – the 'book' in question must have been of the blood and thunder variety – Livre reveals a Lutospawski quite different from the relatively benign, ironic master of the later works. Coming immediately after Livre, the Cello Concerto has an even wider expressive range: indeed, in the balance it achieves between lamenting melodic lines and mercurial scherzo-like writing, coupled with a tendency to home in on crucial pitch-centres, it sets out the basic elements of the composer's later style.
This performance owes a great deal to Antoni Wit's skilful shaping of the music's alternations between relatively free and precise notation, and this skill is even more evident in the remaining orchestral scores. Novelette, completed in 1979, is Lutospawski's response to his first American commission; it's far more cogent and concentrated than its title might lead you to expect. Chain-3 (1986) is one of the best later works, let down only by some rather perfunctory quasi-tonal harmony near the end. But this doesn't undermine the impression the disc as a whole conveys of some of the most characterful and individual music of the last 30 years.”

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