Telemann: Orchestral Suites

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Telemann: Orchestral Suites



Catalogue No:




Release date:

30th May 2003




59 minutes


CD (download also available)
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Telemann: Orchestral Suites


Overture (Suite) TWV 55:G10 in G major for strings & b.c. 'Burlesque de Don Quixotte'

Overture (Suite) TWV 55:d3 in D minor for 3 oboes, bassoon, strings & b.c.

Suite for strings & continuo in E-flat major TWV 55: Es3



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Georg Philipp Telemann: Overture (Suite) in G major, TWV 55: G10, "Burlesque de Quixotte"

I. Ouverture

II. Le Reveil de Quixotte

III. Son Attaque des Moulins a Vent

IV. Les Soupirs amoureux apres la Princesse Dulcinee

V. Sanche Panche berne

VI. Le Galop de Rosinante / Celui d'Ane de Sanche

VII. Le Couche de Don Quixotte

Georg Philipp Telemann: Overture (Suite) in D minor, TWV 55: d3

I. Ouverture

II. Menuets I and II

III. Gavotte

IV. Courante

V. Air

VI. Loure

VII. Hornepipe

VIII. Canaries

IX. Gigue

Georg Philipp Telemann: Overture (Suite) in E flat major, TWV 55: Es3, "La lyra"

I. Ouverture

II. Menuets I and II

III. La Vielle

IV. Sicilienne avec Cadenze

V. Rondeau

VI. Bourrees I and II

VII. Gigue

Gramophone Classical Music Guide


“Telemann is never more irresistible than when he's in light-hearted pictorial mode, and both these new releases feature one of the most entertainingly evocative of all his overture-suites for strings, the Burlesque de Quixote. Taking episodes from the Cervantes novel as its inspiration, it provides us with a memorable sequence of cameos, from the deluded Don tilting at windmills and sighing with love, to Sancho Panza tossed high in a blanket, to portrayals of the pair's respective steeds. Telemann achieves all this with such humour and descriptive precision that, when you hear it, you'll surely laugh in delighted recognition. What a good film composer he would have been! Both performances strike an appropriate tongue-in-cheek attitude. Northern Chamber Orchestra show good style and a pleasingly light and clear texture, unclouded by excessive vibrato or over-egged string tone. Only at the bass end does the sound occasionally become a little thick, but this is really quibbling when what we actually have is a good demonstration of how to perform Baroque music on modern strings. It still makes quite a contrast with Collegium Musicum 90, however, whose period instruments, recorded more intimately, sound slighter and sparkier.
Having already recorded so much of Telemann's music, they sound more at home and have that extra ounce of freedom to enjoy themselves.
The couplings of the Chandos disc are more interesting. For all that the NCO offer another attractive string suite, La Lyra, containing a typically realistic and beguiling hurdy-gurdy impersonation, the D major Overture isn't especially memorable; CM90 have found more colourful stuff in the strikingly French-accented G major Overture and a thoroughly charming Concerto for two violins, bassoon and strings. A pair of bassoons also makes a delightful appearance in the second Minuet of the Overture in B minor.”

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